griggs's - Rented List

In modern-day London, a sex criminal known as 'The Necktie Murderer' has the police on alert, and in typical Hitchcok fashion, the trail is leading to an innocent man, who must know now elude the law and prove his innocence by finding the real murderer.

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Brian De Palma's inspired rock 'n' roll fusion of Faust, The Phantom of the Opera and The Picture of Dorian Gray boasts an Oscar-nominated score by Paul Williams, who also stars as an evil record producer who not only steals the work of composer/performer Winslow Leach (William Finley) but gets him

locked up in Sing Sing - and that's not the worst that happens to him along the way.
Few revenge scenarios have ever been so amply justified, but the film is also constantly aware of the satirical possibilities offered by the 1970s music industry, exemplified by Gerrit Graham's hilariously camp glam-rock star. Jessica Harper (Suspiria) appears in her first major role as the naive but ambitious singer, on whom Winslow secretly dotes.
Prodigiously inventive both musically and visually, this is one of De Palma's most entertaining romps, not least because it was so clearly a labour of love.

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Deborah Kerr (in the performance of her career) plays the emotionally repressed vicar's daughter who takes up a job as a governess to two seemingly angelic orphans.

Gradually coming to believe that the children are possessed by the perverse spirits of their former governess and her sadistic lover, she begins to see manifestations of the ghosts prowling the huge gothic mansion of Bly House. Director Jack Clayton sustains a superbly haunting atmosphere throughout the film, and like James' original work, cleverly retains the ambiguity of wether the ghosts are real or the products of the governess's fevered imagination. Aided by Freddie Francis's exquisitely inventive and atmospheric CinemaScope photography, we, like the governess, are never quite sure what unspoken horrors are lurking beyond the edge of the frame and are kept guessing until the film's tragic conclusion.

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An apartment with an unhappy past, in a building filled with faintly sinister residents, sets the stage for filmmaker Roman Polanski's riveting thriller 'The Tenant'.

Polanski plays Trelkovsky, a quiet, timid file clerk whose unremarkable life becomes Increasingly overshadowed with dread and fear after he moves into his new home. Adding to his paranoia are the building's other occupants, who do nothing to alleviate his growing obsession with the untimely, tragic fate of the apartment's previous tenant. Is Trelkovsky's dread truly justified - or is it simply the result of his seemingly disintegrating mental state?

Haunted by past tragedies, a brilliant plastic surgeon sets out to create the perfect synthetic skin and to do so he needs the perfect living guinea pig. It is their wildly volatile, surreal and sensual relationship that fashions this "ravishing must-see movie with a must-keep-secret twist"

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Gaspar Noe, director of the hugely controversial 'Irreversible', 'Enter the Void' and 'Love', makes a triumphant return with 'Climax' - a visually dazzling feast of music and mayhem, and perhaps his most critically acclaimed work to date.

Following a successful rehearsal, a dance troupe set about celebrating with a party. But when it becomes apparent that someone has spiked the sangria, the joyous atmosphere soon transforms into a nightmarish hellscape of violence and twisted carnality as the dancers begin to turn on each other in an orgiastic frenzy. Inspired equally by the worlds of modern dance and esoteric arthouse-horror (chief among them, Dario Argento's Suspiria and Andrzej Zutawski's Possession), 'Climax' - which pulses towards its astonishing conclusion with a thumping score by the likes of Daft Punk, Aphex Twin and Gary Numan - illustrates a director at the height of his hallucinatory filmmaking powers.

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Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a terrifying new killer resurrects the Ghostface mask. As the deaths mount, Woodsboro's new targets must seek help from the survivors of the original Ghostface attacks.

Now, only Sidney Prescott (Neve Campbell), former sheriff Dewey Riley (David Arquette), and reporter Gale Weathers (Courteney Cox) can find a way to stop the filler when everyone is a suspect.

Still scarred by the trauma he endured as a child at the Overlook Hotel, Dan Torrance (Ewan McGregor) faces the ghosts of the past when he meets Abra (Kyliegh Curran), a courageous teen who desperately needs his help - and who possesses a powerful extrasensory ability called the "shine".

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When some very creepy things start happening around school, the kids at Herrington High make a chilling discovery that confirms their worst suspicions: their teachers really are from another planet! As mind-controlling parasites rapidly begin spreading from the faculty to the students' bodies, it's

ultimately up to the few who are left - an unlikely collection of loners, leaders, nerds and jocks - to save the world from alien domination!

The four survivors from the most recent Woodsboro Ghostface killings have moved to New York City for a new start. Just as they begin to feel a sense of normalcy, they receive that infamous call. Ghostface is more brutal and relentless than ever and will stop at nothing to hunt them down.

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Sidney Prescott, now the author of a self-help book, returns home to Woodsboro on the last stop of her book tour. There she reconnects with Sheriff Dewey and Gale, who are now married, as well as her cousin Jill (played by Emma Roberts) and her Aunt Kate (Mary McDonnell).

Unfortunately Sidney's appearance also brings about the return of Ghost Face, putting Sidney, Gale, and Dewey, along with Jill, her friends, and the whole town of Woodsboro in danger.

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"Bones and All" is a story of first love between Maren (Taylor Russell), a young woman learning how to survive on the margins of society, and Lee (Timothée Chalamet), an intense and disenfranchised drifter.

It's a liberating road odyssey of two young people coming into their own, searching for identity and chasing beauty in a perilous world that cannot abide who they are.

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New England, 1630: William (Ralph Ineson) and Katherine (Kate Dickie) lead a devout Christian life with their five children, homesteading on the edge of an impassable wilderness. When their new-born son mysteriously vanishes and their crops fail, the family begins to turn on one another.

'The Witch' is a chilling portrait of a family unrevelling within their own fears and anxieties, leaving them prey to an inescapable evil.

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Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence.

Forced to venture into the unknown, they quickly realise that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.

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An alien entity inhabits the earthly form of a seductive young woman who combs the Scottish highways in search of the human prey it is here to plunder. It lures its isolated and forsaken male victims into an otherworldly dimension where they are stripped and consumed.

But life in all its complexity starts to change the alien. It begins to see itself as 'she', as human, with tragic and terrifying consequence. 'Under the Skin' is about seeing ourselves through alien eyes.