In pursuit of a serial killer, an FBI agent Lee Harker (Maika Monroe) uncovers a series of occult clues that she must solve to end his terrifying killing spree.
Judi Dench mesmerizes as Barbara Covett, a teacher who rules over her classroom with an iron fist, yet leads a desperate, solitary life outside it. That is, until she meets radiant new art teacher Sheba Hart (Cate Blanchett). Although at first overjoyed with her newfound kindred spirit, when Barbara discovers that Sheba is having an affair with a teenage student, her jealously and rage spiral out of control.
Meet Francine Fishpaw (Divine), tortured suburban housewife. With a pornographer husband, a pregnant teenage daughter, and a son with a foot-stomping fetish, Francine smells trouble around every corner. That is, until she meets and falls madly in love with Todd Tomorrow (Tab Hunter). Also starring Edith Massey as Cuddles, Francine's best friend, and Mink Stole as the husband's mistress.
"1, 2, Freddy's coming for you". And here he is, phantom fiend Freddy Krueger in all his razor-fingered infamy. Wes Craven directs this trendsetting first in the slash-hit series. The premise is simple: Freddy (Robert Englund) homicidally haunts the sleep of Elm Street teens. The results are terrifying and mind-blowingly innovative. There's another film debut too: Johnny Depp. He plays the ready steady of the hottie mcsmarty (Heather Langenkamp) who figures a clever way to flambe the fiend. But ever-say-die Freddy will be 3, 4 back for more...even returning to the screen in a killer 2010 remake of this devilish original. Sweet dreams!
Divine stars as mean teen Dawn Davenport, who turns to a life of crime when her parents fail to give her the cha-cha heels she wants for Christmas. With her illegitimate daughter (Mink Stole) and delinquent girlfriends beside her, she becomes a bizarre canvas for the fascist Lipstick Beauty Salon owners (David Lochary, Mary Vivian Pearce). A media star obsessed with the idea that "crime is beauty", her story comes to a shocking conclusion!
In 2029, giant super-computers dominate the planet, hell-bent on exterminating the human race! And to destroy man's future by changing the past, they send an indestructible cyborg - a Terminator - back in time to kill Sarah Connor (Linda Hamilton), the woman whose unborn son will become mankind's only hope. Can Sarah protect herself from this unstoppable menace to save the life of her unborn child? Or will the human race be extinguished by one mean hunk of mutant metal?
Mikos (George Eastman), an unstoppable killing machine, is on the loose in a sleepy American town. The town's only hope is a mysterious priest (Edmund Purdom) who has been hunting this madman around the globe. As the bodies pile up, desperate Police Sergeant, Engleman (Charles Borromel), teams up with the priest in hopes of stopping Mikos from slaughtering more and more of his town folk.
When her friend Javi lures her back into the field for the first time since a devastating tornado encounter, storm chaser Kate crosses paths with Tyler, a charming daredevil with a thirst for tornado-tracking adventures. Kate's caution clashes with Tyler's risk-taking, but as storm season intensifies, they'll need to team up to tame, and survive, an unprecedented outbreak of destructive tornadoes.
In 1980s Hollywood, adult film star and aspiring actress Maxine Minx (Mia Goth) finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.
Emily (Lisa Ambalavanar), a technology obsessed sorority senior trapped in the world of social currency and popularity, discovers the influence she can gain from cute animals after meeting an exotic pet distributor. Emily's deep desire to become sorority house President leads to her adopting a poached pet sloth in order to use it to help her get elected new house President. But when bodies slowly begin to pile up in the Lambda Omega Omega house, Emily and her sisters are slow to realize the deaths are being caused by their new house mascot, Alpha. It isn't until the girls lock themselves in the house to celebrate the presidential election night that the truth is discovered about their sluggish pet - that this lackluster furball is actually nature's perfect predator...fueled by revenge, protected by adorableness, and armed with three razor-like claws on each hand. Will Emily and her sisters escape the house with their lives? Or is this death-sloth too quick for them?
A chilling horror tale about the perils of storytelling, 'Tusk' follows a brash American podcaster (Justin Long) as he braves the Canadian wilds to interview an old man (Michael Parks) with an incredible past - only to discover the man's dark secret involves a walrus.
Richie (Rik Mayall) and Eddie (Adrian Edmondson) are running the nastiest, smellist, most squalid hotel in the world and things aren't going well. The Chef's guzzled all the food, cash is running low and most of the guests have fled without paying! But things are on the up with the arrival of the Nice family, some exotic underwear and the sexy Italian movie star Gina Carbonara (Hélène Mahieu). Richie is soon indulging his passion for panty pilfering whilst desperately trying to impress the fragrant Ms. Carbonara. But with Gina's jilted fiancee in hot pursuit and something decidedly iffy about the fish dinner, Richie and Eddie are going to need a miracle to escape in one piece.
When a group of friends recklessly violates the sacred rule of Tarot readings - never use someone else's deck - they unknowingly unleash an unspeakable evil trapped within the cursed cards. One by one, they come face to face with fate and end up in a race against death to escape the future foretold in their readings.
Shot as a movie within a movie, 'The Exorcism' stars Academy Award winner Russell Crowe as Anthony Miller, a troubled actor who is trying to resuscitate his career when he lands the lead role of a priest in a supernatural horror film about an exorcism. As unsettling events unfold, his "lucky break" takes a dark turn. The director (Adam Goldberg), aiming for authenticity, subjects the struggling actor to humiliating treatment, forcing him to confront past traumas and accelerating his decline. Witnessing his suffering, Anthony's estranged daughter (Ryan Simpkins) turns to the film's priest advisor (David Hyde Pierce) for help. Has the pressure of making the film sent Anthony back to his old addictions, or has it opened a portal to something more sinister?
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