Director/co-writer Michael Mann's 'The Last of the Mohicans' is a soaring story of transcendent love, an authentically detailed recreation of a turbulent era in U.S. colonial history and an exciting saga of flintlocks-and-tomahawks warfare. Daniel Day-Lewis (as Hawkeye) and Madeleine Stowe (as British transplant Cora) are lovers caught up in the tumult of the French and Indian War in this 1992 Academy Award winner set to a rapturous score by Trevor Jones and Randy Edelman. The tale itself is a personal touchstone for Mann: the 1936 screen version was the first movie he recalls seeing as a child. It's hard not to detect a sense of boyhood wonder in Hawkeye's outsized heroics. Here, Mann augments that with a bravura style and sweep that shows why he's one of today's most electrifying moviemakers.
Set among Brooklyn tenements circa 1912, 'A Tree Grows in Brooklyn' is a portrait of the Nolans, an Irish-American family living in financially challenging circumstances, often made worse by father Johnny's (James Dunn)'s drinking and employment problems. But matriarch Katie (Dorothy McGuire) keeps the family together during all of the obstacles, caring for son Neeley (Ted Donaldson) and daughter Francie (Peggy Ann Garner), as well as Katie's outspoken, oft-married sister Sissy (Joan Blondell). But just as Francie's gift for writing opens up new avenues, more tragic developments test the family's resolve.
Jean Paget (Virginia McKenna), an English woman taken prisoner by the Japanese, is among a group of women and children forced to trek through Malaya during the occupation. During her ordeal she meets captive Australian Joe Harman (Peter Finch) and there is an instant magnetism between them; as they talk, Jean learns about Joe's hometown of Alice Springs, and his hope of returning there one day. To relieve the suffering of the women and children, Joe steals some chickens from the sadistic Captain Sugaya (Tran Van Khe), but when he is caught Sugaya orders Joe to be executed in front of Jean and the others...
Unheroic yet elegiac, tragic yet uplifting, devastating yet deeply moving. Featuring gripping action on a scale unattainable by conventional war movies, Stuart Cooper's award-winning 'Overlord' is unlike any war film you have ever seen. This powerful and passionate film follows the journey of an ordinary young English soldier, Private Beadows, from his swift, dramatic induction into the army toward his inexorable destiny upon the hell-ravaged beaches at Normandy during in the D-Day invasion. Seamlessly weaving genuine WWII footage into a startlingly authentic story, beautifully shot by Stanley Kubrick's acclaimed cinematographer, the legendary John Alcott, 'Overlord' is not simply a unique piece of fiction, but an exceptional piece of history. Produced by the Imperial War Museum, digitally restored and now available for the first time since it was made over 30 years ago, 'Overlord' is a mesmerising cinematic achievement.
The unforgettable original version of acclaimed filmmaker Michael Haneke's classic exploration of screen violence is an uncompromising, sometimes uncomfortable, but never less than compelling experience. Arriving at their remote lakeside holiday home, a middle class family are alarmed by the unexpected arrival of two young men who soon begin to subject them to a twisted and horrifying ordeal of terror. With characteristic mastery, Haneke turns the conventions of the thriller genre upside down and, directly challenges the expectations of his audience, forcing viewers to question the complacency with which they receive images of casual violence in contemporary cinema.
Set on the French Riviera, the charming daughter (Claudette Colbert) of a destitute aristocrat (Edward Everett Horton) catches the eye of a dashing millionaire (Gary Cooper). After a brief courtship, she accepts his marriage proposal, only to find out on their wedding day that he has been down the aisle before - seven times! Determined to teach him a lesson, she makes a mockery of their matrimony in a variety of side-splitting situations.
Haunted by his past, WWII veteran and drifter Freddie Quell (Joaquin Phoenix) crosses paths with a mysterious movement called The Cause, led by Lancaster Dodd (Philip Seymour Hoffman) aka The Master and his wife Peggy (Amy Adams). Their twisted relationship is the core of this film. Will Freddie be able to outrun his past? Will The Cause help or hurt him? Can this tortured, violent creature be civilized? Or is man, after all, just a dirty animal?
Charles McGraw stars as Detective Walter Brown, a cop with a simple mission - get mobster's wife Frankie Neale (Marie Windsor) on the train and take her to the grand jury in Los Angeles, where she's going to testify against her late husband's colleagues. But the mob don't want her to spill the beans and they'll stop at nothing to stop her taking the stand; Brown realises they've planted assassins on the train with them and it's up to him to keep her safe. It's going to be one hell of a journey...
Edward G. Robinson stars as a government agent tracking down a sadistic Nazi officer (Orson Welles), who has evaded justice for running Nazi extermination camps. Rankin has crafted a new identity for himself in a quaint Connecticut town by marrying Mary (Loretta Young), the daughter of a local judge; but as his past begins to catch up with him, will his wife side with the investigators or her husband...
Jacques Tourneur's (Out of the Past, Cat People) first Western is a lost classic, regarded by some as an equal to the work of the great John Ford. Dana Andrews plays Logan Stuart a scout turned general store and freight company owner, based in the mining settlement of Jacksonville, Oregon. Logan's best friend is George Camrose (Brian Donlevy), a banker and express company owner with an addiction to poker. When a gambling debt turns sour leading to accusations of murder, George is sentenced to death by a kangaroo court but Logan helps him escape. Meanwhile, Indians go on the warpath when the town's brutish Bragg (Ward Bond) kills a young Indian woman. Also featuring Susan Hayward and Patricia Roc as women vying for Logan's attentions and the incomparable Hoagy Carmichael as a wandering minstrel, 'Canyon Passage' is a deft blend of action, romance and colourful location scenery.
I've Loved You So Long is the outstanding, critically celebrated breakthrough film of the year. Kristin Scott Thomas (Four Weddings and a Funeral, The English Patient) offers a truly sensational performance in this utterly engrossing and deeply moving tale of two sisters who rebuild their relationship after fifteen years apart. The two women gradually rediscover common ground and learn how to relate to one another through the memories of their shared childhood, all the while the spectre of their time apart looming overhead... This intelligent and compassionate film is a testament to the power of family, love and forgiveness.
When a high-profile couple - a rock star (Tilda Swinton), and a filmmaker (Matthias Schoenaerts) decide to vacation on a remote Italian island, their rest is disrupted by the sudden visit of an old friend (Ralph Fiennes), and his sexy, yet mysterious daughter. Suddenly, what was supposed to be an ideal getaway turns into a whirlwind of jealousy, passion and danger for everyone in the group.
In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever. Pawel Pawlikowski follows his Oscar-winning 'Ida' with the stunning 'Cold War', an epic romance set against the backdrop of Europe after World War II. Sumptuously shot in luminous black and white, it spans decades and nations to tell a love story that is as tragic as it is moving, and as transportive as it is honest.
A powerful virus is unleashed. Transmitted in a drop of blood and devastating within seconds, the virus locks those infected into a permanent state of murderous rage. Within 28 days the country is overwhelmed and a handful of survivors begin their attempts to salvage a future, little realising that the deadly virus is not the only thing that threatens them.
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