French director, screenwriter, actor and producer Bertrand Tavernier looks at the rich history of French cinema and its impact on his life, from his youth as a movie buff to his own career as a filmmaker. Along the way, he explores the works of acclaimed French directors such as Jacques Becker, Jean-Pierre Melville, Claude Sautet, Frangois Truffaut, and Jean-Luc Godard.
Lisa Immordino Vreeland follows up her acclaimed debut "Diana Vreeland: The Eye has to Travel" with "Peggy Guggenheim: Art Addict". A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.
From acclaimed writer/director Sofia Coppola comes an atmospheric thriller that unfolds at a secluded girls' boarding school in Civil War-era Virginia. When a wounded Union soldier, Corporal McBumey (Colin Farrell), is found near the school he's taken in by its headmistress, Miss Martha (Nicole Kidman). As the young women provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries when McBumey seduces several of the girls. Taboos are broken and events take an unexpected turn in this gripping and haunting thriller also starring Kirsten Dunst and Elle Fanning.
Inspired by real events, "Land of Mine" follows the dramatic story of the young German prisoners who, as World War II came to an end in 1945, were forced to defuse and remove two million mines on the Danish Coast. Presided over by tough veteran Sergeant Carl Rasmussen (Roland Mailer), these teenage POW's were treated with hostility whilst being forced to dig up the mines from the sand with their bare hands with little training. When Rasmussen begins to sympathise and promises their release back to Germany when the task is completed, they soon realise that the war is far from over.
The letter of the title is written with a poisonous pen: the three women (portrayed by Jeanne Crain, Linda Darnell, and Ann Sothern) receive a note stating that one of their husbands has run off with a woman named Addie Ross - which husband in particular, however, remains unmentioned, though each husband had their own affinity for Ross. And so amid the women's mounting anxiety commences a series of flashbacks, each telling the story of how the three individual marriages had come in their own way to be so strained at the present...
Can an aspiring model find happiness on a billboard?! That's what Gladys Glover (Judy Holiday) finds out in this delightful romantic comedy. Unable to find steady work as a model, Gladys devises an ingenious gimmick: she uses all of her savings to rent a large billboard overlooking New York City's Columbus Circle featuring her name. As it turns out, that billboard is in high demand - Evan Adams III's (Peter Lawford) company wants it for himself. With interest in more than just her career, Adams strikes a deal with Gladys whereby she acquires additional billboard locations. Under the guidance of a slick promoter (Michael O'Shea), Gladys becomes a national celebrity. Then she realises she must decide between her boyfriend (Jack Lemmon) and this exciting new life.
Beautiful widow Lady Susan Vernon (Kate Beckinsale) arrives at the estate of her in-laws to wait out the colourful rumours of her dalliances which are circulating through polite society. While ensconced there, she attracts the simultaneous attentions of the young, handsome Reginald DeCourcy, the rich and naive Sir James Martin and the divinely attractive, but married, Lord Manwaring. However, cunningly engineering such matters for her own benefit is something Lady Susan is quite used to. Based on the Jane Austen novella 'Lady Susan' and set in the high society of the 1790s, acclaimed writer-director Whit Stillman's 'Love and Friendship' is an exquisitely witty and devious comedy of Machiavellian matchmaking and heartbreaking, with a note-perfect ensemble cast including Chloe Sevigny and Stephen Fry.
A couple caught in alcoholism's web. A San Francisco public-relations hotshot is a "social" drinker... who never stops socialising. His vivacious wife starts drinking to keep him company. They live for good times. But eventually good times turn bad.
A group of real-estate salesmen-cum-con artists live on the edge. All the time. Life is good for only one. For the rest, life hangs in the balance. There is no room for losers. The name of the game is simple: A-B-C. A-Always. B-Be. C-Closing. Always be closing. Sell or go under. Right under. Deep rock bottom under. That's the name of the game. It's simple.
Two eligible bachelors, Jack Worthing and Algernon Moncrieff (Michael Denison), are in trouble. Jack's unworthy habit of representing himself as his imaginary brother Ernest (Michael Redgrave) and Algernon's adoption of an equally fictitious - and perpetually sickly -friend has allowed them both a latitude in their personal lives that they would otherwise have not enjoyed. Their respective deceptions start to unravel, however, when both chaps become mortally wounded by Cupid's arrow -setting up a series of events which will change their lives forever!
A faithful company employee (Fred MacMurray) is sent down the back roads and into the backwoods in search of a missing fellow employee. But the city slicker soon finds himself mixed up with a family of homicidal hillbillies who are looking for stolen loot hidden on their property.
Gino Monetti (Edward G. Robinson) is a self made man, an Italian immigrant who has dragged himself up from the slums of New York to be president of his own bank. The struggle has made him hard and bitter - alienating him from three of his sons. Monetti is still close to his fourth son Max (Richard Conte), a sharp lawyer with an even sharper society girlfriend (Susan Hayward). As Monetti's banking empire begins to crumble, tensions within the family reach boiling point - and thoughts turn to revenge - and murder...
Academy Award winner Frances McDormand and Academy Award nominee Richard Jenkins star in the HBO miniseries drama Olive Kitteridge, a film by Academy Award-nominated director Lisa Cholodenko (The Kids Are All Right). Based on Elizabeth Strout's Pulitzer Prize-winning novel of the same name and written by Emmy winner Jane Anderson, this four-part drama tells the story of a seemingly placid New England town wrought with illicit affairs, crime and tragedy, told through the lens of Olive (McDormand), whose wicked wit and harsh demeanor mask a warm but troubled heart and a staunch moral center. Executive produced by the multiple Emmy-winning team of Tom Hanks and Gary Goetzman along with McDormand and Anderson.
Martin Rome drives the law crazy - he is a beautiful loser, defying death, the great charismatic anti-hero of Siodmak's masterpiece of law and disorder. Adapted from a novel by Henry Edward Helseth, 'Cry of the City' tells the tale of a charismatic New York criminal and his nemesis, the dogged cop and one-time friend who chases him down with a neurotic possessiveness as though in pursuit of his own evil twin. Richard Conte's dazzling performance as Rome conveys a seductive ruthlessness opposite the brawny Victor Mature - a Fox favourite following his powerful performance in Kiss of Death - as Lieutenant Candella, the 'good guy' in the film's running battle between good and evil. They are supported by a brilliant cast including Debra Paget, Shelley Winters, and the mesmerising, scene-stealing Hope Emerson in her most original and remarkable role as a thieving murderess. 'Cry of the City' is a dark crime melodrama, filmed on location in New York in Voluptuous black and white by a director whose name is synonymous with the era of classic film noir.
The triumph of the human spirit is the theme of Rosi's epic film, in which Carlo Levi is exiled in 1935 by the ruling fascist dictatorship to a poverty-stricken village in the Basilicata region of southern Italy. Levi finds himself in a stark world little changed since the middle ages in which the peasants scratch a meagre living from the land. But as Levi grapples with this new environment, it is the peasants' wisdom, humanity and spirit that help him to cope with his sense of helplessness and isolation.
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