Barbarella is marked by the same audacity and originality, fantasy, humour, beauty and horror, cruelty and eroticism that make comic books such a favourite. The setting is the planet Lythion in the year 40,000, when Barbarella (Jane Fonda) makes a forced landing while travelling through space. She acts like a female James Bond, vanquishing evil in the forms of robots and monsters. She also rewards, in an uninhibited manner, the handsome men who assist her in the adventure. Whether she is wrestling with Black Guards, the evil Queen, or the Angel Pygar, she just can't seem to avoid losing at least part of her skin-tight space suit!
After the release of Jake Blues (John Belushi) from prison, he and brother Elwood (Dan Aykroyd) go to visit the orphanage where they were raised by nuns. They learn that the church stopped its support and will sell the place unless the tax on the property is paid within 11 days. The brothers decide to raise money by putting their blues band back together and staging a big gig. They may be on a 'mission from God' but they're making enemies everywhere they go.
Danielle (Margot Kidder) meets Phillip (Lisle Wilson) on a "Peeping Tom" shamelessly voyeuristic TV game show and dodging her ex-husband Emil (William Finley), takes him back to her apartment. But Danielle has a separated Siamese twin sister, Dominique, who is not pleased about the overnight guest. Journalist neighbour Grace (Jennifer Salt) sees Phillip slaughtered by one of them through her window; the body vanishes before she can convince a sceptical detective (Dolph Sweet) to take a look. Determined to prove that she's right (and get a career-advancing story), Grace investigates, assisted by a private eye (Charles Durning), and becomes more involved in the relationships among Danielle, Dominique, and Emil than she ever expected.
America, 1976. The last day of school. Bongs blaze, bell-bottoms ring, and rock and roll rocks. Among the best teen films ever made, 'Dazed and Confused' eavesdrops on a group of seniors-to-be and incoming freshmen. A launching pad for a number of future stars, the first studio effort by Richard Linklater also features endlessly quotable dialogue and a blasting, stadium-ready soundtrack. Sidestepping nostalgia, 'Dazed and Confused' is less about "the best years of our lives" than the boredom, angst, and excitement of teenagers waiting...for something to happen.
Baby (Ansel Elgort) - a talented, young getaway driver - relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom.
Humphrey Bogart stars as Dixon Steele, a screenwriter who is faced with the odious task of scripting a trashy best-seller. He enlists hat-check girl Mildred Atkinson to tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humour implicate him. Fortunately, lovely neighbour Laurel Gray (Gloria Grahame) gives him an alibi. Laurel proves to be just what Steele needed. and their friendship ripens into love. m Will suspicion, doubt, and Steele's inner demons come between them?
The second installment in this terrifying franchise centres around three young American women who are studying in Rome. They are lured into a hostel by a beautiful young woman who sells them as the next victims of a murder-for-profit business.
Set at the dawning of the new millennium, this hilarious masterpiece is from the brilliantly offbeat worldview of Swedish filmmaker Roy Andersson, director of the acclaimed 'You, the Living'. Described by critic J. Hoberman as 'slapstick Ingmar Bergman', this witty yet resonant film unfolds as a series of comic inter-connected vignettes that portray scenes from an urban world which has ground to a halt and whose citizens teeter on the brink of madness.
Exhilarating and astonishingly ambitious, "Victoria" is an adrenaline-fuelled heist thriller set on the streets of nighttime Berlin that features the staggering technical feat of being shot in a single, unbroken take. Victoria, a young woman from Madrid, meets four local guys outside a nightclub in the early hours of the morning. Sonne and his friends are Berliners who promise to show her the real side of the city. But when the group are suddenly forced to repay a debt to a member of the city's criminal underworld, the night quickly spirals out of control.
On November 5, 2001, Dr..Andrew Bagby was murdered in a parking lot in western Pennsylvania; the prime suspect, his ex-girlfriend Dr. Shirley Turner, promptly fled the United States for St. John's, Canada, where she announced that she was pregnant with Andrew's child. She named the little boy Zachary. Filmmaker Kurt Kuenne, Andrew's oldest friend, began making a film for little Zachary as a way for him to get to know the father he'd never meet. But when Shirley Turner was released on bail in Canada and was given custody of Zachary while awaiting extradition to the U.S., the film's focus shifted to Zachary's grandparents, David and Kathleen Bagby, and their desperate efforts to win custody of the boy from the woman they knew had murdered their son.
Daphne (Emily Beecham), 31, Londoner. Busy days, hectic nights, friends, people, lovers, ore all welcome distractions from the constant and creeping feeling that her life is somehow stuck. Too young to settle quietly, too old to keep on messing about without aim. One night, an unexpected event slowly but steadily forces her to confront this existential limbo head on, and start looking very closely at the person she has become.
In a desperate effort to save their own lives, an improbable group of mostly HIV-positive young men and women broke the mould as radical warriors to take on Washington and the medical establishment. With unfettered access to a treasure trove of never-before-seen archival footage from the 1980s and '90s, Oscar-nominated filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs of heroes in the making. Blisteringly powerful, "How to Survive a Plague" transports us back to a vital time of unbridled death, political indifference and staggering resilience, and constructs a commanding archetype for activism today.
'Wadjda' is the story of a young Saudi girl whose burning desire for a bicycle leads her into bold defiance of her society's restrictive codes of gender and religion. After a fight with her friend Abdullah, a neighborhood boy she shouldn't be playing with, Wadjda sees a beautiful green bicycle for sale. She wants the bicycle desperately so that she can beat Abdullah in a race. But Wadjda's mother won't allow it, fearing repercussions from a society that sees bicycles as dangerous to a girl's virtue. Wadjda decides to try and raise the money herself. Although her cunning plans are continuously thwarted, she is determined to continue fighting for her dreams...
Thelma (Eili Harboe) has just left her religious family to study at a university in Oslo. A sudden bout of violent seizures coincides with her growing affections for fellow student Anja (Kaya Wilkins), who reciprocates Thelma's attraction. As it becomes clear that the seizures are symptoms of mysterious and dangerous psychological abilities, Thelma is confronted with secrets from her past and the terrifying implications of her newfound powers.
After suffering a brutal trauma, Julia Shames (Ashley C. Williams) falls prey to an unorthodox form of therapy which awakens her own true and holy violent nature, one that teaches her how not to be the victim but transforming her into an empowered Angel of Vengeance.
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