paul-b's - Rented List

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Anouk Aimee gives her defining performance as Cecile, a cabaret performer and single mother. Taking the stage name Lola, she entrances Roland (Marc Michel), a young drifter. A friend of Lola since childhood, he yearnsfor herto return his affections but she pines for her husband's return.

In the present, she disports with an American sailor named Frankie (Alan Scott), who in turn is the object of a young girl's affections. The girl's name, like Lola's, is Cecile (Annie Dupeyroux). Set in Nantes overthe span of a few days, this story of love stories crossing paths, of life teeming with co-incidences and missed chances conveys the spirit of the early French New Wave and the cinema of Max Ophuls, to whom Demy also dedicates the film.

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Warmonger or peacebringer? Oliver Stone's hard hitting portrayal of 'Tricky Dicky', the president everyone loves to hate; his battles with the CIA, his personal intrigues with J.

Edgar Hoover, his plans for world peace with Henry Kissinger, his apocalyptic vision of Vietnam, Watergate, the cover-ups, and the skeletons in the cupboard...

Syndromes and a Century offers two separate stories or fragments set in hospitals, one rural and possibly in the past, one urban and possibly in the future. Or perhaps both are the same, at different periods, and the second set of characters reincarnations of the first.

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"Come and See" is one of the greatest war films ever made and one of the finest achievements of Soviet cinema.

A devastating account of the Nazi occupation of Belarussia during World War II, it tells the story of a young boy's abrupt loss of innocence when he joins the Soviet resistance and is thrust headlong into the brutal horrors of combat. Featuring terrifyingly authentic battle scenes and poetic, almost surreal imagery, director Elem Klimov has fashioned a vivid and unforgettably powerful portrait of the terrible atrocities committed by men in the name of war.

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Knox Oil and Gas of Houston is far removed from the North Sea oil it desires - and the sleepy Scottish seaside village it wants to buy and replace with a refinery. So Knox sends it ace dealmaker (Peter Riegart) to negotiate.

He finds cheerful future millionaires, awesome northern lights, a lusty innkeeper, a stubborn beachcomber and a mermaid with webbed toes. Forsyth's touch is perfect: whether showing us a tycoon (Burt Lancaster) with his head in the stars or bridging generations at an all-night ceilidh dance.

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Based on the Japanese manga of the same name, the film tells the horrific tale of Oh Dae-su (Choi Min-sik), a businessman who is inexplicably kidnapped and imprisoned in a grim hotel room-like cell for 15 years, without knowing his captor or the reason for his incarceration.

Eventually released, he learns of his wife's murder and embarks on a quest for revenge whilst also striking up a romance with a young, attractive sushi chef, Mi-do (Kang Hye-jung). He eventually finds his tormentor, but their final encounter will yield yet more unimaginable horrors...

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Mary (Kim Hunter) travels to New York to discover the reason for her sister Jacqueline's sudden disappearance. The cosmetics shop that Jacqueline (Jean Brooks) owned has been sold and her rented room is empty, save for a solitary chair and a noose.

Suspecting that her sister is under the influence of Satanists, Mary hires a private detective to stakeout the shop at night, but she then discovers that he has been murdered. Dr. Louis Judd (Tom Conway) contacts Mary to explain that he is a psychiatrist and that Jacqueline is under his care because she is mentally ill. But when Jacqueline vanishes again, it becomes clear to Mary that she in the clutches of a satanic cult whose penalty for revealing anything about themselves is death. Six people have already been murdered... will Jacqueline become the seventh victim?

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Set in a five-story guesthouse in the middle of a Parisian working class neighbourhood, "Daybreak" opens on the top floor of the building with shouts and a gunshot. A door opens and the body of a man tumbles down the stairs.

As the police start to besiege the building and a crowd gathers, the killer, Francois (Jean Gabin), flees the crime scene and locks himself in his room. After failing to shoot their way into his room the police climb on top of the roof, and Francois, starts to recall previous events... His love for Frangoise (Jacqueline Laurent), the beautiful florist, and her love for Valentin (Jules Berry), the attractive dog trainer. Also starring the renowned Arletty as Clara, Valentin's assistant and suggested lover.

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In the acclaimed new film by Abderrahmane Sissako (Bamako) the people of the Malian city, Timbuktu, struggle against an oppressive regime of terror inflicted upon them by invading Jihadists who prohibit every enjoyable indulgence of life.

Meanwhile, Kidane lives a peaceful life in the nearby dunes, but when he has an altercation with a neighbour the extremists take it upon themselves to deliver their brand of draconian justice.

Shot in black and white with a skeleton six person crew, 'Shadows' offers a frank observation of the tensions and lives of there siblings in an African-American family in which two of the siblings, Ben (Ben Carruthers) and Leila (Lelia Goldoni), are light-skinned and able to 'pass' for white.

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Ruan Lingyu, one of the most famous stars of early Chinese cinema, gives a devastating performance as an unnamed 'goddess' - an ironic euphemism for a prostitute - in this profoundly moving but rarely seen classic of world cinema.

In a tragic tale of shame and maternal sacrifice, Ruan stars as a mother desperate to provide for her young son and forced to take brutal vengeance on her pimp. It is a profoundly moving drama made all the more poignant by the knowledge that its star took her own life at the age of 24, a year after the film's release.

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It's Christmas 1940 and the people of Everytown, unprepared and ill-equipped, find themselves at war against an enemy who has been planning such a conflict for years.

The land is devastated by the horrors of aerial bombardment as the war drags on for thirty years, causing a period of despair, with feudal tyrants ruling a downtrodden populace suffering famine and pestilence. Can the human race rise above its desperate circumstances and build a scientific utopia?

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Julie Christie plays the part of Darling in this story of a stylish amoral model. There are three men in her life, each of whom willingly or involuntarily helps her on her way to the top.

Dirk Bogarde plays a TV interviewer, an honest man striving to tell illusion from reality; Laurence Harvey, an advertising executive, totally cynical about manipulating society's values; and Roland Curram, a gay magazine photographer battening parasitically on glossy society. There is also a 'fourth man' - the one whom Darling marries, only to find herself a prisoner of the smart world she has conquered. Although Darling thinks she can exploit society to her own advantage, she ends up exploited - manipulated by men who are, aptly enough, professional image-makers at a time in British life when the image said it all (or so it was thought). And at the centre of it all, incarnating the decade which saw the ascension of the model girl to the status of international idol, Julie Christie gives the sort of indelible performance that made many of her subsequent roles look like Darling's distant cousins or historical ancestors.

Dwight Evans is a mysterious outsider whose quiet life on the margins is turned upside down when he returns to his childhood home to carry out an act of vengeance. Proving himself an amateur assassin, he winds up in a brutal fight to protect his estranged family.

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Christine (Phoebe Cates), a student at an exclusive all-girls private school, is in love with Jim (Matthew Modine), who attends an academy for boys nearby. Christine's arch rival Jordan (Betsy Russell) also has her eye on Jim, and she is willing to do whatever she can to steal him away.

Jim's uber-slob buddy Bubba (Michael Zorek) is going with Betsy (Kathleen Wilhoite), Christine's cynical friend, though he would probably be unfaithful if any other woman were willing to get near him. Bubba and his pals sneak into the girls' school dressed in drag in hopes of reaching the Promised Land (better known as the women's shower room), while Christine and Jim run away together for the weekend, though their escapade isn't as romantic as they had hoped.