You're invited to one of the most celebrated and audaciously funny hit comedies of the year - Muriel's Wedding! Follow frumpy, misguided Muriel Heslop on her lifelong quest for a glitzy fairy-tale wedding. With visions of nuptials dancing in her head, this ABBA-obsessed misfit ditches her pathetic life and plastic friends in a small Australian suburb for big-city dreams in Sydney. But the road to the altar takes surprising twists and turns - and Muriel is about to learn the lesson of a lifetime. Wry, witty and hailed by critics everywhere, Muriel's Wedding is one affair you don't want to miss.
"The Dinner", starring Richard Gere, Steve Coogan, Laura Linney and Rebecca Hall, is a dark psychological thriller about a fierce showdown between two couples during the course of an ornately prepared meal at a fancy restaurant. When Stan Lohman (Gere), a popular congressman, invites his troubled younger brother Paul (Coogan) and his wife Claire (Linney) to join him and his wife Katelyn (Hall) for dinner at a fashionable restaurant, the stage is set for a tense night. Stan and Paul's teenage sons are friends, and the two of them have committed a crime that has shocked the country. While their sons' identities have not yet been discovered, their parents must now decide what action to take. A riveting story filled with many shocking twists and turns, 'The Dinner' is a chilling parable about the savage reality hidden beneath the surface of middle class lives.
In the summer of 1924 Claude Friese-Greene, a pioneer of colour cinematography, set out from Cornwall with the aim of recording life on the road between Land's End and John O'Groats. Entitled 'The Open Road', his remarkable travelogue was conceived as a series of shorts, 26 episodes in all, to be shown weekly at the cinema. Claude's experimental colour process failed to reach a large audience owing to heavy flicker and colour fringing. Following on from the BBC's recent documentary 'The Lost World' of Friese-Greene, the BFI National Archive has restored a special compilation of highlights from the journey, using digital intermediate technology to remove the technical defects of the original. The result is a fascinating portrait of inter-war Britain, in which town and country, people and landscapes are captured as never before, in a truly unique and rich colour palette.
Meet charming and jobless Scott Pilgrim (Michael Cera). A bass guitarist for garage band Sex Bob-omb, the 22-year-old has just met the girl of his dreams - literally. But, there's one catch to winning Ramona Flowers (Mary Elizabeth Winstead)...he has to meet and defeat her seven evil exes!
Vegas, Baby. Where Nomi's (Elizabeth Berkley) dreams and desires to make it big are as sharp as a stiletto heel. When she catches the eye of Cristal (Gina Gershon), the Stardust's sexy headliner, Nomi is on the brink of realising her dreams. But she soon realises that there is room for only one starlet on the marquee...and that either she or Cristal will have to take a fall!
The classic 'rock and roll' film of the 50's and the Jayne Mansfield movie. Legendary moments include her hot strut down the street to Little Richard's title song, leaving ice blocks melting and milk bottles bubbling over. Around a simple comic plot - gangster hires alcoholic press agent to make a singing star out of his incredibly voluptuous but tone-deaf girlfriend - director Frank Tashlin creates a feast for eyes and ears in 'the grandeur of CinemaScope' and glorious De Luxe colour.
Something strange is happening deep in the woods...but no one's lived to tell about it. Chris Finn (Desmond Harrington) is on his way to an interview, but when he is faced with a huge backup in traffic, he makes a U-turn, taking a shortcut to avoid the traffic...but he has just made the biggest mistake of his life. This wrong turn may be the last turn he ever takes! After crashing into the car of a group of young friends lead by Jessie (Eliza Dushku), an indescribable nightmare begins. Stranded on an isolated road deep in the woods there seems to be no hope of rescue. When the friends encounter a group of monstrous mountain men with murder and mayhem on their minds, they must escape from a fate worse than death. As the grisly tension gathers in manic pace and shifts into high homicidal gear, only the strongest will survive...
Acclaimed screenwriter Scott Frank makes a mind-blowing directorial debut in The Lookout, a gritty, high-tension crime thriller starring Joseph Gordon-Levitt, Jeff Daniels and Isla Fisher. Chris Pratt (Joseph Gordon-Levitt), whose once-bright future has been dimmed by a head injury, is a night janitor at a bank. Lonely and frustrated, Chris falls prey to a con man's seductive promise of romance and a better life, and agrees to help rob the bank where he works. Filled with heart-pounding action, edge-of-your-seat suspense and a twist you'll never see coming.
Anthony LaPaglia stars as a man trying to grapple with his wife's sudden death while feeling helpless as his two sons struggle with their own grief and begin to drift away from him. Hope arrives in the form of a new neighbour, Allison Janney, whose kindness suddenly brings warmth during the coldest time of his family's life.
From a war-torn refugee camp to the deceptively idyllic Danish countryside, two fragile worlds are inextricably linked by conflict and violence. Anton is a doctor whose work bridges the divide between these two dramatically contrasted lands and who must confront an unavoidable moral dilemma. His son Elias, the victim of school bullies, forms a friendship with the troubled Christian, but this soon transforms into a dangerous alliance.
In this Oscar-winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne exude charm, cunning, and artless affection as an urbane couple who, fed up with each others infidelities, resolve to file for divorce. But try as they might to move on, the mischievous Jerry can't help meddling in Lucy's ill-matched engagement to a corn-fed Oklahoma businessman (Ralph Bellamy), and a mortified Lucy begins to realize that she may be saying goodbye to the only dance partner capable of following her lead. Directed by the versatile Leo McCarey, a master of improvisation and slapstick as well as a keen and sympathetic observer of human folly, 'The Awful Truth' is a warm but unsparing comedy about two people whose flaws only make them more irresistible.
Jacqueline (Vanessa Paradis) is a young mother living in 1960s Paris with her disabled son Laurent. Abandoned by her husband, Jacqueline sacrifices everything to care for her son and vows to give Laurent a "normal" life full of happiness. Antoine (Kevin Parent), is a successful DJ in present day Montreal who seems to have it all: a thriving career, two beautiful daughters, partner Rose, with whom he is passionately in love. However, nothing is perfect and Antoine's ex-wife Carole remains devastated by their recent separation.
When he gets a devastating diagnosis, 27-year-old Adam (Joseph Gordon-Levitt) navigates the road to recovery with the sometimes overbearing support of his crude best friend (Seth Rogen), his smothering mother (Anjelica Huston) and an inexperienced therapist (Anna Kendrick).
Everyone in Justine's (Garance Marillier) family is a vet, and a vegetarian. At 16, she's a brilliant and promising student. When she starts at veterinary school, she enters a decadent, merciless and dangerously seductive world. During the first week of hazing rituals, desperate to fit in whatever the cost, she strays from her family principles when she eats raw meat for the first time. Justine will soon face the terrible and unexpected consequences of her actions as her true self begins to emerge.
Faster Pussycat, Kill! Kill! Is a story of a new breed of superwomen… three buxom go-go girls: Varla, Rosie and Billie, wildly dancing the watusi before the leers, jeers and lecherous come-ons on their drooling all-male audience. The violence, implicit in the girls' tease, is quickly moved out of the microcosmic bar into outside world as they literally let go of themselves, embarking on a wild, violent, deadly journey of vengeance on all men. Varla, the outrageously abundant karate master leader of the pack, breaks the arms and back of one man, runs her Porsche over two others, grinds a fourth, a muscleman, against a wall and, eventually, deliberately goes down the path of her own self-destruction, dragging her two buxotic cohorts along with her.
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