History lost in the passion
- Ammonite review by PD
This one concerns the life and work of Mary Anning, whose contributions to palaeontology influenced Darwin. It depicts a middle-aged Anning, played by Kate Winslet, being acclaimed for her work but being also overlooked within the scientific community. She lives a modest life on the Jurassic coast, spending most of her days searching for fossils to sell to tourists in order to support herself and her mother. But the mundane routine of her life is disrupted by the arrival of a young middle-class woman, Charlotte Murchison (Saoirse Ronan), who has been instructed to convalesce by the sea by her husband, Roderick. The pair quickly develop an intense relationship that changes their lives.
The film is beautifully shot and unsurprisingly well-acted, but, watchable as it undoubtedly is, I'm coming away thinking Mary Anning has been sold short here. Yes, it makes us painfully aware that Anning was getting a raw deal in professional terms, and that, as well as being female, one of her major disadvantages was her working-class roots. But unfortunately there is very little exploration of this due to the central focus on a romantic lesbian relationship, of which there is absolutely no historical justification beyond (presumably) an inference from the fact that Anning never married.
Lee wants to portray two lonely women united by the constraints of their gender within a patriarchal society - but while this is may well be a laudable aim, it plays havoc with what we know of Murchison, who, far from being restricted in opportunity by a controlling husband, was in fact the impetus behind his career. Interestingly also, the real Murchison was about a decade older than Mary, whereas her the age difference is switched so that Anning is the senior of the pair, which is very odd. Worse still, Mary was emphatically NOT some kind of misanthropic outsider. She maintained a number of close female friendships and professional relationships throughout her life, notably Elizabeth Philpot, who built on Anning's work. Philpot does appear (played by Fiona Shaw), but here she takes the form of a local villager whose relationship with Anning is somewhat strained, Philpot's charm and warmth serving as a mirror to Anning's aloofness; predictably, there is a suggestion that Philpot is a former lover of Anning, and that this is the source of the tension between the two. I find this a shame, because we have no indication that this was the case - quite the contrary in fact.
Perhaps a more historically accurate (or at least plausible) film would not have received the attention that this has got. And of course it's perfectly possible just to ignore the fact that it's based on Mary Anning and just let the tale stand in its own right. But I still find it a bit of a pity that the 'real' Anning is lost amongst the passion: surely a tale of the dawn of science meets female enablement would have been of interest? It says a lot about us, I fear, that we just can't let Anning's intellectual achievements speak for themselves.
21 out of 23 members found this review helpful.
Saoirse Ronan is perfection, but this film also has some gaping flaws & narrative frustrations
- Ammonite review by TB
I loved God's Own Country (GOC,) so when I heard about Francis Lee's new film & the incredible cast starring in it, I was immediately on board. GOC was in many ways a film which subverted the normal romance film, in that it was absolutely a film which you "felt," whether it was the cold in the air up on the farm, or the smell from the farmyard animals, or the warmth from a crackling fire. It was also a film which showed sex & intimacy in a realistic & mature way.
Ammonite starts off very well & in this kind of vein: everything that you loved about GOC is present. Kate Winslet is always fantastic and, ever since I saw her in Brooklyn, Saoirse Ronan is probably the most skilled & perfect young actress working today, able to convey so much with just a look or a sigh. The chemistry is great between them, and there are fantastic supporting characters as well. Welcomingly, Gemma Jones & Alec Secareanu return from GOC, and their characters add nicely to the film. There is also a welcome amount of letting the characters breathe & letting the actual acting shine through, something which is a rarity in many films today.
But after about 30 minutes, there then are some quite significant problems...
The biggest one for me was the fact that the "coldness" theme, either in reference to the temperature outside on the beach or inside the house; or the temperament of some of the main characters, was so overplayed it then started to undo a lot of the good work that the film had started to build. By this, I mean that after an hour, we as the viewer don't need it constantly shoved in our faces in a very direct and blunt way that the location the characters are in is cold. Whereas GOC set this up then let it rest in the background, Ammonite will constantly put this front & centre, at the expense of other elements which we are then distracted by.
The coldness of predominantly the main character was also something which became extremely wearing after a while, in the sense that as things went on, you wanted & also expected that the warmth & care shown to her would then start to change her, not necessarily in a stereotypical way, but in some way. And yes, at times you did see this. The problem was that any time it was shown, it then immediately gets snapped shut and dourness & miserableness returns. This in turn then makes the character unlikeable, when all I really, really wanted was to like her, both as a person and for the achievements and decency she has as a person. The zenith of this was the love scene, which was shot and acted so beautifully and really seemed to be the pay-off that the audience needed, followed by the next few scenes totally undoing this great work.
I appreciate that I am comparing this film a lot to God's Own Country, but when that as a piece of work was so great, and this film carries over many of the elements which had worked before, plus had a large number of the same cast/crew, I actively wanted it to work.
For me, far and away the best thing about the film is Saoirse Ronan and I hope that she is richly rewarded for her work come awards time. What she does with, in many ways a very limited amount of material, is incredible. She is vulnerable, feisty, loveable, naive, strong and resilient in every way you could imagine. The horror that she has been through before the story starts is one which is unimaginable, and one that she is expected to simply bounce back from. And this is where her performance really does lift the film. Her arc is the one which I was totally lost in. And in the final scenes, where she is trying to love & help Mary Anning, only to be shut down brutally & almost without emotion are very difficult to watch.
Whilst I really wanted to love this film and it absolutely has great elements, I still find it very hard to wholeheartedly recommend it, given the script & structure. But still a great & moving effort, with some flashes of genuiene inspiration.
6 out of 6 members found this review helpful.
Slow and indulgent
- Ammonite review by CG
The direction of this was dull, dull, dull and it felt like a directorial vanity project. It went nowhere and it’s two hours of my life I’ll never get back.
5 out of 7 members found this review helpful.
Heart of stone
- Ammonite review by TE
A lot has been said about the liberties taken with the historical record in the making of 'Ammonite'. Leaving that to one side, there are still some artistic problems with the film. The biggest one is the portrayal of Mary Anning as a sour, misanthropic outsider who doesn't even seem to have any passion for her fossil collecting, or any emotional bond with her mother. This makes Charlotte Murchison's attraction and then love for her completely incredible.
It's a pity that this central motor for the whole story is lacking, because the period detail is superbly presented and the Lyme Regis scenes, both interiors and exteriors, are excellent.
At times it feels as if too much has been left out in the editing process. The sexually explicit scenes between Mary and Charlotte are intensely passionate. Their enforced parting is packed with emotion. But then all of this is wilfully cast aside by Mary as soon as they reunite. The emphasis is squarely placed on Mary's supposed hardness ("ammonite") and not on the transgressive nature of the relationship in such oppressive times.
4 out of 4 members found this review helpful.
Tedious, pc, metoo, state-subsidised British arty flick which even manages to make dinosaurs boring
- Ammonite review by PV
Well Jurassic Park, it ain't! It's not even The LAnd that Time Forgot or its sequel, or the woeful Jurassic Predator. (Or the wonderful The Dinosaur Project). It is more like Watching-Paint-Dry-o-saurus.
This film stinks of state subsidy - the usual, BFI, BBC, lottery and sure enough, the end credits revealed all 3 funded it, BINGO! This also boasts its DIVERSITY credentials - as so many tedious new state-funded films do and that is why so many are flops. Most metoo movies have flopped and lost money. Just TELL A STORY WELL and stop painfully trying to tick all the diversity boxes, and you may make a decent film now and then.
Only 2 male speaking roles in this film and both men are portrayed as idiots, nasty users, in contrast to the poor repressed women (the victims, you see, of nasty-wasty patriarchy). CAN YOU IMAGINE a film where the only 2 female characters were portrayed as monsters or morons? It is pure sexism and misandry. AND not the historical truth at all. It is ALL SO BORING. It does not work on any level.
But costume drama can work - see THE TUDORS. See The Madness of King George. See the great 1960s and 70s films on Cromwell etc.
This is pure feminist fantasy - there is NO EVIDENCE whatsoever that Mary Anning was in any way lesbian. None. I suspect the male writer and director tagged it on 1) to get state funding; 2) because he seems to like a pity party blaming men for all that is bad in the world; 3) the story of walking on a beach finding fossils is not cinematic - so a script needs a beginning, middle and end 3 act structure. SO what to do? Tack on some repressed 1840s lesbianism. I suspect Mary Anning would be appalled.
This veers into soft porn and if that is your thing, fine. But why not just watch 'Desert Hearts' and be done with it. ALL fabricated and false, and unnecessary too. There is a story here without that.
The facts are there: the Anning family found fossils to sell to tourists as extra income and THOMAS ANNING Mary's father started it. He gets forgotten AS DOES Mary';s older brother Joseph WHO FOUND THE Ichthyosaur fossilised skull, NOT Mary. He is forgotten and as a boy was forced to do an apprenticeship and give up fossil hunting/. "Their first well-known find was in 1811, when Mary Anning was 12; her brother Joseph dug up a 4-foot ichthyosaur skull, and a few months later Anning herself found the rest of the skeleton. " As with Pierre Curie, and many men, these men and boys and written out of history by the pc metoo feminist industry and woke historians.
They are the facts though. The fossil was found by JOSEPH ANNING., Not Mary. Natural History Museum take note. Mary found fossils by herself later on - plesiosaurus and pterosaur BUT they are not shown here. The ichthyosaur skull shown here was found by JOSEPH ANNING not Mary.
The social class issues are more interesting and much is made of the deaths of many of Mary's siblings BUT that was not unusual for this time at all - it was standard. And NO WAY were males more privileged than females - many men and boys were forced down mines, out to sea, into the army. Working class women did not have it easy but arguably the men had it harder. AND women should know that men did not have the vote either for most of history - and working class men got the vote just 30 years before women, 'White male privilege' my fanny A! Read some history.
The FACTS show Mary was actually quite well off financially in the 1810s and 20s and bought a house. She then did a bad investment and like many in Britain of the 1830s suffered poverty BUT then got a decent special pension from the British government after a campaign by scientists - she was hardly a victim then.
If this is the future of British film then I shall stop watching all ne British films.
On the plus side, I enjoyed the scenery of Lyme Regis. 1 star for that.
4 out of 7 members found this review helpful.
Period Romance Drama
- Ammonite review by GI
This is part biopic about the famous Victorian palaeontologist Mary Anning and part period drama that adds a fictional romance between Mary and her friend Charlotte. The pairing of Kate Winslet as Mary and Saorise Ronan as Charlotte undeniably makes this a film well worth seeing. They are both superb here and bring a passion to this story written by director Francis Lee, who admits his poetic licence in making these two friends into lovers. Mary Anning is a renowned scientist who discovered many famous fossils but was spurned by the male dominated scientific community from which she was largely excluded. The film begins where Mary, her biggest discoveries behind her, lives with her placid mother (Gemma Jones) and runs a small shop in Lyme Regis selling small fossils and seashells. They live hand to mouth and so are unable to turn down the offer of payment from a fellow scientist to look after his depressed wife Charlotte. Curmudgeonly Mary shows Charlotte her passion in finding fossils on the windswept beach and gradually a passionate love affair blossoms between them. As a story of Victorian sexual attitudes this excels as it does as a love story about two women trapped within male dominated worlds. You could argue that the fossil discoveries depicted represent the finding of their passion as the two women excite over their shared passion of searching the beach and uncovering the past. Fiona Shaw supports here as a former friend/lover of Mary in an especially warm role that contrasts Mary's withdrawn emotions. This is a really delightful story, well told and well performed. Recommended.
1 out of 1 members found this review helpful.
Unsubtle and monotonous
- Ammonite review by JR
If Kate Winslet is trying to regain credibility after embracing Hollywood and its values, she chose the wrong film. The film is unremittingly dark, the weather grim and windy every single day over the 2 or so months that the story covers. The metaphors are sledgehammer unsubtle - the moth fluttering in a jam jar - who could that be, I wonder?? Why do we see a close up of Mary squatting to urinate on the beach? Why do we see a full nude of Charlotte's husband? It is all very gratuitous and has little to say. With its disregard for the historical facts, it boils down to a lesbian soft porn flick dressed up in art house clothes .
1 out of 2 members found this review helpful.
Touching drama - but flawed
- Ammonite review by HM
The life of Mary Anning was one of relentless toil scouring the coast of Dorset England for fossils. A drama about her would centre around her work, perhaps family background illustrating the death of siblings, her unlikely survival and then her emergence from the shadows as a major contributor to natural science. However, the writer and director Francis Lee chooses to make up a story about a lesbian relationship between her and another woman. This is entirely fictional. What is the point of this film? It is misleading about her life, character and distorts other relationships she had; not as far as is known sexual ones.
Lee has made another gay film, so he obviously likes the subject. Sadly the film lingers on close to pornographic bedroom scenes. The two woman 'go it it' in an urgent rush which takes the characters as painted leading up to this in a differnet direction of temperement and character. Gratuitous sex really.
Having said all that it is an enjoyable drama and rather touching: just not about Mary Anning.
1 out of 1 members found this review helpful.
Disappointing
- Ammonite review by AJ
I was really looking forward to this film with two excellent actors, and about a palaeontologist I knew, through the novel Remarkable Creatures by Tracy Chevalier.
I was disappointed because Kate Winslet's part is mostly silent, but when she does speak she mumbles, so you don't hear what she says.
The sex felt voyeuristic ,and the ending of the film ambiguous, and unsatisfying. The film could have paid SOME attention to the significance of her work in relation to Darwin.
I found the motivation for making this film questionable.
0 out of 0 members found this review helpful.
An engaging period watch, though VERY roughly based on historical happenings
- Ammonite review by ST
See the PD review for the historical detail that has been malformed.
... but for anyone who likes period fiction, with great acting, and an engaging plot this is a fine piece IMHO.
Just remember to not let it rewrite historical fact in your mind. As of course you wouldn't with 'The Favorite' or 'The Death od Stalin'
0 out of 1 members found this review helpful.