I don’t normally review children’s films but this masquerades as an adult film so it deserves all it gets. Think Starship Troopers with none of the creativity, imagination and intelligence. A moronic cgi-fest for brain-dead game-boys. So cynical it even features Chinese product placement for the international market.
For all the cartoonish alien destruction on show, the leading characters never seem to be in any danger. Drama and dialogue are at pre-teen level. Every predictable beat is emphasised by a bombastic score.
Will our heroes survive? Will it end with a lot of whooping? You have to ask? Even the gag reel is embarrassing. Watch and weep.
Such a bad movie. The story does not make sense. So much so that this movie should be reclassified from Science Fiction to just Fantasy. It's filled with young actors who can't act. The scenario is so linear that there is no suspense. And they intend to make a 3rd movie? LOL.
Rent it just to make your own opinion but do not expect to be entertained. It's that bad!
The first Independence Day was not a great film, but if you could get past the chest puffing, patriotic waffle, it did have a few redeeming qualities: such as a subtly dark sense of humour, and some likeable, quirky characters.
The follow-up has none of this: it’s simply two hours of patriotic waffle and a cast who are either out to pasture and coasting through their lines, or straight out of a boy/girl band, and much more interested in pouting and strutting than doing any kind of acting stuff.
There are damp walls of emulsion more deserving of your time…
An enormous, voluptuous spectacle on the outside that feels as empty and shallow from the inside as an overpromised bag of chips mostly filled with air. Independence Day: Resurgence even manages to take the fun out of its predecessor by stupefying the Alien invaders’ intelligence and giving them bigger ships for no reason other than to give humans a chance of success against the usurping forces. In other words: lazy writing.
How is it then, 20 years after a fully rounded space invasion, that the same Aliens who previously attacked Earth grew even stupider upon their return? Hasn’t it supposed to be the other way around? I’m raising these issues because frankly, I don’t know their corresponding answers.
The heroic deeds translate from the first installment almost word for word: the jingoism, exaggerated American patriotism and xenophobia are all alive and kicking, actually kicking the audience in their teeth until either everyone gives up and leaves – or what remains of the jaws is an empty shell where once common sense dwelled.
That’s right: Independence Day: Resurgence is not afraid to show little to no subtlety, which unfortunately enough, it too cannot be spotted thanks to the gazillion CGI particles that convolute the whole ordeal into a mish-mash of random colors and consecutively disjointed events.
Furthermore, Roland Emmerich, together with its ‘top-billing Hollywood stars’ list comprised of Jeff Goldblum, Liam Hemsworth, Bill Pullman as the eponymous President Whitmore and for some reason Vivica A. Fox, embark to save the day yet again, only to fall prey to a small inconvenience known as lack of true essence of character. Whether or not this is the writers’ fault, the director’s hiccup or the producers’ ironclad impatience is neither relevant, nor anyone cares. If you’re thinking on cashing in on an established franchise – at least try to pretend that you care for your audience.
The film itself has some redeeming qualities, like Goldblum’s quirky mannerisms, or a somewhat exciting, neck-breaking space dogfights that give other space films a run for their money. Heck: even Brent Spinner tries hard not to screw up his lines, and almost succeeds in channeling his charismatic ‘Star Trek’ reputation to the aberrant Dr. Okun, for a while that is. Pullman feels like a wasted talent among the ruble, perhaps the studio’s fault – who would know at this point for certain?
One thing is clear however: Independence Day: Resurgence is bigger, louder and well-polished an experience, but lacks heart, character motivations, emotional catharsis and everything that made its predecessor work some 20 years ago.
If you’re so desperate to watch this movie, rent it with friends and take a sip every time a thing that was supposed to blow up in violet flames – didn’t.