To get anything other than initial laughter and growing boredom out of this film, you have to be able to take these motion-captured cgi apes seriously. Unfortunately that means you’d have to have a lobotomy. Top Ape Caesar is angry because Top Human Woody Harrelson, here slumming it, has killed his wife. Since when did the apes adopt human marriage rituals? Which marriage rituals? Who were the bridesmaids? Did the best ape give a speech? Who baked the cake? Where’s Top Cat when you need him?
Andy Serkis voices Caesar as though delivering a funeral oration, pronouncing every word so slowly and with such import that it’s best to fast forward his speeches to give them some approximation of realism. Indeed, after 10 minutes of this rubbish you might want to fast forward the whole film because there’s little plot and no surprises. The fact that most if it takes place in darkness further adds to the ennui. With so much cgi on view, do you think there’d be explosions at the climax? Tick.
Pity director Matt Reeves. To think he once made the innovative Cloverfield before getting embroiled in this embarrassing franchise. Most critics who like the film do so because the apes look real. Is that all it takes? Okay, we’ll give it one star for animated ape hair.
Starts well, but ends up as nonsense. The humans build a wall to defend a compound and then store highly inflammable fuel next to it so the slightest thing blows the whole lot up 'James Bond finale fashion'. Very silly. Hopefully last in series. Basic amusement I suppose but it wears thin by the end.
So often in the modern filmmaking world, reboots/remakes that claim to 'pay homage' to the original films they are based never live up to the originals. Now as a huge childhood fan of the original Planet of the Apes films (and the TV show) it is a great pleasure to see a set of film-makers and actors who clearly have a great respect for the source of their film.
The War for the Planet of Apes is clearly greatly updated in the storyline, realistic settings and unparalleled special effects and ape acting but if you look closely you can see the setups and references to those original films. In particular, I was delighted with the build-up and story behind 'Nova' the mute girl and how human's became mute (or will). The makers really sat down went through the original stories and must have said let's pad this out, give it a reason and not just say 'because it is'.
It made me smile and still does thinking about it now. Someone thought long and hard about the backstory, cogs and wheels in the background.
The story itself is as old as the hills, revenge, pure and simple. What makes it better than most is the clear villain, Woody Harrelson, has a motive that makes sense and there is a reason for his specifically cruel and merciless actions. Most of us, but not all, would not agree with them but we do know why he does them and it's not because he is 'evil'. Yes, the makers do have a dig and modern society and the current world situation and why not? It's a road that is clear for all to see.
The action sequences are as good as most serious war films and especially the opening assault puts me in mind of a few Vietnam films from over the years, both claustrophobic and then all-encompassing with some great sweeping camera shots.
It takes some great writing and motion-capture acting to make you close to tears over the deaths of CGI apes and laugh at the antics of Steve Zahn's comic side-kick 'Bad Ape'. In lesser hands it could have been awful but the motion-capture and Zahn's comic chops had the role on the right side of the tracks. Needless to say, Andy Serkis is basically now a real talking ape because he has his role to the T so much you forget he's an actor from London. He is helped no end with his supporting cast, particularly the other apes where facial and body language is the performance. That is not to cast the 'humans' into the shadows because overall I could not think of a character that jarred with me throughout the running time.
It was great to see that a film that uses 'War' in its title did not go down the explosions and non-stop gun battles that perhaps some would expect or even want it to be. There is a battle at the beginning and battle at the end but in between you get a drama with pathos, laughter, tears and peril. Pretty impressive I'd say.
Both the main character are neither black nor white, there is a moral to the story and real peril throughout with no character, favourite or otherwise, guaranteed to make it to the conclusion. The settings and locations are both magnificent, wild and natural. A world left alone.
If I have a quibble it would be the ending seemed rushed and slightly too neat, which is odd considering the film's 140 minutes running time, I can't actually say what happens without spoiling the film but considering the way the story was crafted as messy and difficult for all the characters, like real life, the ending was just too neat, too tied up in a bow but it's a personal quibble really. Others will love the ending I'm sure.
Oh and I hated Woody Harrelson's actor's tool, the unnecessary sunglasses, used to take off and put on to emphasise points.
War for the Planet of the Apes is a very, very, good film, it sits comfortably with the first two films of the series, is a fine update on the original films and pays knowing, loving and carefully thought-out tribute and continuation of those 70s film storylines.
There was a time when a Planet of the Apes sequel came with a groan at the depreciating quality of story and ape costumes. Now there’s excitement and intrigue for a story where apes take over our planet. Take a moment to appreciate the craftsmanship of a Planet of the Apes movie that is not only one of the best genre pictures of 2017, but one of the best pictures period.
While Rise of the Planet of the Apes showcased flawed humans that led to sentient apes and Dawn of the Planet of the Apes was an even mix of struggling humans and apes, War for the Planet of the Apes is almost entirely a story of the apes. Their leader, Caesar (Andy Serkis), has been trying to keep his kind safe in the woods, but the humans continue to advance on their territory. Caesar leads with strength, but also mercy. His legions slaughter a horde of invading soldiers but spare a few that can be sent back as a message to leave in peace. After all, Caesar doesn’t want to relive the misguided wrath of the vengeful ape Koba, whose spirit still haunts him as the evilness he could easily succumb.
The military threat at hand this time is more crazed than emotional. Whereas the previous film’s use of Gary Oldman was a man who wanted revenge, Woody Harrelson’s character is a mad colonel. True, he has lost loved ones, but he is long past that point of seeking retribution. He wants loyalty among his troops and torture among his enemies, basking in the dark glow of brutality and total control. His tactics are more elaborate. He has rounded up apes into camps, to be used as slaves for building new installations. The few that renounce Caesar are dubbed donkeys and given jobs of accompanying and aiding soldiers in battle.
When the military forces come too close for comfort, Caesar sends the apes on their way while he pursues the angry colonel on his own. Aiding him are a few allies, his most notable being the wise orangutan Maurice. His kindness prevents Caesar from leaving the quiet human girl Nova to die in the woods. They will later run across the ape deserter referring to himself only as Bad Ape (Steve Zahn), telling them the military camp is too dangerous a place to be. But when Caesar discovers his collective is being held captive there, he has no choice but to infiltrate and make his mission more than just a personal vendetta.
There’s an excellent evolvement of the Apes film seen in this film trilogy. The special effects have become so seamless that it’s not the least bit surreal to watch a movie where the majority of shots feature CGI apes, most of which speak in sign language. Everything from the levels of distraught on Caesar’s face to the somber gaze of Maurice carries a weight that no other composited animated character has ever displayed in a live-action production. I liked how Bad Ape was able to become the comic relief among the apes without turning into a cartoon character. I appreciated how Harrelson’s character didn’t pull back on the madness, presenting a villain more dastardly for the apes to best. I was intrigued by how the virus that wiped out most of the humans takes an astonishing turn, signaling that this is indeed the final hours of the humans controlling the planet. It’s bold storytelling I only thought was possible in the pulpiest of science fiction novels.
War for the Planet of the Apes is more than just a fitting conclusion to this new Apes trilogy; it’s a masterpiece of special effects, animated acting, speculative fiction and emotional action. For a big blockbuster with explosions and computer animation, it’s surprisingly subtle with its direction where engaging scenes can involve little to no dialogue. Matt Reeves has taken the flawed Apes franchise and launched into a trilogy that I doubt anyone thought could be possible. Where everyone else only saw the goofy makeup and overacting of Charlton Heston, he saw a real story to tell, one that would make us give a damn about apes taking over the planet. He succeeded with flying colors.