A funny coming-of-age story about Margaret, who goes on an exciting journey to find her faith. Great performances from the entire cast, especially Kathy Bates as the Jewish grandma! Definitely recommended.
This movie is a very watchable teen movie, especially for girls. It outlines all aspects of growing up,
street cred and the changes of the human body during 'teen years'. Very funny in places & informative
with a good storyline. Sadly, had nothing like this when I was growing up !
Well, first off you'll have to have a heart of stone not to enjoy much of this one. But as an adaptation of Judy Blume’s landmark 1970 young adult novel it's rather too undemanding. That's not to say it isn't broadly faithful to the book, in which of course an 11-year-old girl talks freely to the reader, and God, about the anxieties, fantasies and contradictions tripping her up on the path to maturity, and preteen Margaret’s concerns are timeless — peer pressure, crushes, menstruation, faith, and so on. But Blume treated them seriously, neither passing judgment on her protagonist’s immature mistakes, nor over-dramatising, whilst this adaptation, written and directed by Kelly Fremon Craig, rather shies away from putting the funny, flawed and all-too-realistic Margaret on screen exactly as she is. Today, inevitably, it’s not enough to be representative: Margaret must be a role model, too, and the result is rather too much sentimental artificiality at the expense of the messy realities, although it's fair to say also that young audiences may not miss some of the original novel’s more honest truths, especially as they’ve been trained to expect tidy stories where protagonists fix their faults and here even (gasp!) assure the adults in the film that they’re raising them just fine.
Abby Ryder Fortson gives us a convincing performance as Margaret, who spends the entire film in flux, notably when it comes to religious faith, a vacuum she attempts to resolve by visiting various Jewish temples and Christian churches and chatting with her loose concept of a deity. “I’ve heard great things about you,” she says in her first prayer. On top of all this is the sudden adjustment to suburban lawns and sprinkler parties, and her new friends’ fixation with the signposts of womanhood. The bossy ringleader Nancy (Elle Graham) adds a welcome burst of energy to proceedings, insisting that Margaret and pals Gretchen and Janie must wear bras — even as Nancy meanly gossips about the one developed girl in sixth grade, a wallflower named Laura, who towers over the class like a poppy among dandelions (the erratic roll-out of puberty is well-depicted). The standout scenes are the ones involving the friendships, and there's a great and all too-brief scene involving a class film on “menstroo-ation,” as over-enunciated by its host. But here, annoyingly, the film snips out novel Margaret’s outrage to discover that the lecture was “like one big commercial” for a line of feminine products, vowing to never buy the brand when her period starts. Can't today's children absorb a little of Margaret’s anti-corporate cynicism? However, Craig does a good job cutting to each of the girls’ faces as they gaze at the presentation in horror, hope, and suspicion. Still, it only intermittently feels like we’re observing this world through a child’s eyes. Instead, the running time is padded with a wholly unnecessary subplot about Margaret's mother's struggle to adjust to becoming a stay-at-home housewife, especially since her daughter barely seems to register it at all. All in all, as charming as the film is in its best moments, it’s hard not to be frustrated as it backpedals from the book’s awareness that not all wrongs are righted. Sometimes, our heroines might stay friends with bullies. Sometimes they might run from conflict and never explain themselves. Sometimes, they might even hurt people without making amends. Welcome to life's realities.
Judy Blume blazed a trail for women with the blunt coming-of-age drama in her celebrated novel Are You There God? It’s Me, Margaret. It hasn’t hit the big screen before, but in an age where women’s bodily rights are becoming routinely violated and stripped away, a film like this feels needed now more than ever. Even for being placed in a dated setting, there’s an undeniable charm and sublime sensation of freedom that can be felt in this film.
The film follows the developing tween Margaret Simon (Abby Ryder Fortson) and her quest to learn more about herself. Born from a couple with Christian and Jewish backgrounds, Margaret didn't know of religion with her agnostic parents while growing up in the 1970s. Having moved to New Jersey, she is intimidated by her new school. She forms a bond with some new friends, but the new club they establish requires a bra, which Margaret doesn't have much experience buying, let alone wearing. This leads to awkward yet essential conversations with her mother, reflecting how much times have changed.
Aside from making friends, Margaret’s goal is to learn more about religion, opting to attend church and temple. This is a grand delight for her eccentric grandmother Sylvia (Kathy Bates), but also concerning for her parents (Rachel McAdams, Benny Safdie), who had to deal with the religious split between their families. Through all this, Margaret tries to come to grips with her spirituality, which also happens to coincide with getting used to getting her period. As she soon learns, growing up is an act you can’t wholly prepare for, where merely stuffing a bra won’t suffice. For Margaret, these are the most eye-opening and important days of her life and it’s all approached with the open nature of jotting down all your sensational feelings in a diary.
This type of earnest comedy is so adorably hilarious for being highly relatable. A slew of moms will undoubtedly watch this film with a nod that accompanies each laugh. What makes the film work is that it doesn’t attempt to overly exaggerate or downplay the elements that made the book so strong. The topics of sex, religion, and menstruation are not off the table for trying to depict a frank version of growing up that isn’t a flowery or softened picture. But perhaps the most sobering moment of the story is watching Margaret view her parents as people who might not have all the answers and still be unsure of themselves. Having that moment of realization while better being able to connect with the previous generation is such a joyous sensation, and it's treated in this film with not only a sense of relatability but a tender nature of trying to ensure that no topic is off-limits for kids still trying to figure out this weird world of ours.
Of course, the most entertaining aspect of this story is that Margaret is a fully realized character. She doesn’t feel like a prop to provide a narrative on top of talking about the female body and spirit. She has a real existential crisis over how she forms her path of faith with the rocky road presented before her. She has moments where she’s underwhelmed by attending temple and later displays a lack of faith in god by bringing up aspects of theodicy. Her plight is relatable for any age, and it’s fascinating to see a film that treats tween girls like human beings with complex thoughts and feelings instead of simplistic ciphers of childhood wonder.
Blume’s book was considered highly controversial for its time, and it’s sad to say that in this current age, it might be regarded as just as prone to being banned, considering the resurgence of banned books. And, yet, that’s what makes this movie feel all the more necessary and inspiring. It’s perfectly paced with just the right tone to be an intelligent and comedic film that makes you feel good to be alive and experience all life's unique aspects. That’s the sensation I got from the movie and I can only fathom how much more profound it will be for women who find so much more of themselves within Margaret and her struggle.