Ralph Fiennes gives a superb performance as a really annoying character
- A Bigger Splash review by RS
Unfortunately he is so annoying that I had to give up on this film after an hour and a quarter. Tilda Swinton plays a rock star who has lost her voice, so she doesn't say much. Matthias Schoenaerts plays her drippy filmmaker boyfriend, and Dakota Johnson plays a really annoying American. Fiennes is Swinton's former lover and descends uninvited with his daughter (Johnson) on Swinton and Schoenaerts Italian island hideaway. He then proceeds to annoy the hell out of everyone with his manic exuberance whilst seemingly trying to win Swinton back.
Maybe the final thirty minutes were a lot more interesting but as the characters were unsympathetic, the plot very slow, and Fiennes such a pain in the derriere, I will never know. I think that this is the sort of film which critics like a lot more than the public.
5 out of 10 members found this review helpful.
A Minor Drip
- A Bigger Splash review by Alphaville
This unnecessary and ill-imagined update of 1969 French film La Piscine soon outstays its welcome. If the original French film was languid and slow-moving, this pointless update moves at a positively glacial pace. A sense of ennui pervades both acting and direction. The plot goes something like this: nothing happens for the first 90 minutes, then something happens, then the film ends 30 minutes later. It’s all about the predictably complicated relationships among the featured quartet of characters but it’s impossible to care. It’s little more than a soapy potboiler.
Ralph Fiennes plays the only character with any vivacity, but he’s such an overbearing bore that he’s as much a pain to the viewer as he is to the rest of the cast. To warrant the title, there’s a lot of jumping in the pool of a Mediterranean villa, where most of the inaction occurs. There’s a clichéd local festival. A few brief flashbacks are thrown in for no apparent reason save to break the monotony. One star for the island of Pantelleria, which looks nice in the sun.
5 out of 9 members found this review helpful.
An incredibly tense & sex-soaked pot-boiler with beautiful scenery & memorable performances
- A Bigger Splash review by TB
Ralph Fiennes & Tilda Swinton are 2 absolute icons in their own right. Starring in some of the most impactful, challenging & provocative films ever made, their work is often unique & gripping. So when they signed on to star together in A Bigger Splash, I was immediately on board. Add in to the mix Matthias Schoenaerts (incredible in Bullhead, ironically the role which landed him this part) & Dakota Johnson (so much more than her role in the Fifty Shades films,) plus the fact this was made by Luca Guadagnino, you have pretty much the perfect set-up.
Marianne Lane is a legendary & iconic rockstar, who has had throat surgery & lost all ability to either sing or really speak. She was also rapidly approaching burn-out, so has gone totally off-radar & staying on a remote Italian island with her partner Paul. Their days of sunbathing naked, swimming pool sex & peaceful walks in the Italian countryside are then blown apart by the arrival of Harry Hawkes, Marianne's eccentric ex & producer, bringing along his newly-found daughter. Tensions then start to rise in this sun-drenched paradise.
Despite the mainly overwhelmingly negative reviews here, I had an absolute blast with this film. To be fair though, I can understand the annoyance of people towards Harry Hawkes (Fiennes.) For many viewers he will simply be too brash, annoying, over-the-top, irritating & every other metaphor like that you can think of. And often, these characters will also really annoy me too. But I not only totally bought into the world Harry exists in (record production surrounded by drink, drugs & every type of debauchery imaginable, which would affect almost anyone,) but also the brilliance & electricity of Ralph Fiennes and his performance. I would venture that nobody else could have played this role.
But that doesn't for a second mean that Tilda Swinton is sidelined. The woman is an absolute genius & titan of cinema, her talent unmatched. Here, she completely turns the standard burnt-out rockstar cliché on its head, mainly by insisting (and getting the script changed,) to make Marianne near-mute following throat surgery. This means Swinton acts almost primarily through her presence & motions, telling us everything with almost no dialogue.
Johnson & Schoenaerts also have great, meaty roles, he as the recovering alcoholic & painful introvert, she as the sexually vivacious young woman who wants to experience everything imaginable, irrelevant of the consequences.
Guadagnino creates an amazing & electric atmosphere, crackling with jealousy & sexual tension. In many ways, the first 10 minutes are a carbon copy of Sexy Beast (the perfect idyllic couple being blown apart by an unstoppable force,) although this is done much more slowly & deliberately here. We as the audience know that this mixing of characters, all of whom are extremely potent individuals, will be catastrophic & have far-reaching consequences. But the writing & actors keep you gripped.
The other elements of the film are brilliant as well. Every Guadagnino film looks & sounds amazing, with the beautiful island of Pantelleria becoming almost another character. The soundtrack, full of Rolling Stones tracks & opera, is also perfection.
As much as the brashness has clearly put some viewers off, I loved my time spent in this world & these amazing, idiosyncratic characters.
0 out of 0 members found this review helpful.