Engaging melodrama if lacking depth
- Parallel Mothers review by PD
The latest from Almodovar involves two intertwining thematic strands of motherhood and exhumed Spanish history. There are an awful lot of promising threads, but for me none of them are developed in much depth, although very strong performances from leads Penélope Cruz and Milena Smit do a lot to make the film engaging, with their expressive emotional range and controlled discipline through which they put over their director’s rather forced writing. Cruz's Janis bonds well with Smit's much younger Ana from the start: this is partly via their artistic natures, but also through the lack of paternal presences - their opening sequence is very effective as Janis’s boss at work, a surrogate mother figure, and Ana’s own single mother Teresa step into the maternity ward. The film definitely makes us feel the pain of women — in childbirth, in disappointment and in loss — intensely. Unfortunately, so much then happens from this point which strains credulity and only “works” in that sort of soap-opera world which is fine if you want gentle melodramatic escapism but is rather incongruous in a piece which (rightly) takes itself very seriously. Moreover, a sudden, third-act shift in their relationship throws the film right off balance because it suddenly seems to lose interest in the ramifications for its two main characters whom we've come to care about so much.
Nevertheless, the film is undeniably well-meaning: stemming from a sincere desire to address the most fraught aspect of his nation’s civic history whose aftermath produced almost 40 years of fascist rule, the film is successful in scanning the contemporary notion in Spain that its legacy and afterlife haven’t been properly examined; silence abounding as the country now enjoys its relative liberal prosperity.
4 out of 4 members found this review helpful.
Engaging film spoilt by poor subtitles (white on white)
- Parallel Mothers review by GP
Really engaging and interesting film but, thinking back through it, I don't think I've ever seen a film which raises and simply glosses over so many important issues. What spoilt the film was the small white subtitles on white background. This occurred throughout the film but , most annoyingly, at two really important points, that meant we had to rewind and stand next to the TV in order to read them. Come on film subtitle people, we want to watch world cinema, but make it more accessible to non native speaking audiences please.
4 out of 4 members found this review helpful.
Engaging
- Parallel Mothers review by KD
The relationship between the two women is very affecting and their story engaging. The important story of the exhumation of the bodies of Spanish civil war victims feels as if it might have been better served as a separate film.
1 out of 1 members found this review helpful.
Almodovar at his bes
- Parallel Mothers review by CW
A wonderfully perceptive film about motherhood, matriarchs amd inheritance. Adept at linking public to private and past Spansh history to the present.
0 out of 0 members found this review helpful.
Fairly Entertaining Soapish Drama
- Parallel Mothers review by Dr Waerdnotte
Many Almodovar movies have a strong element of melodrama, and recently with Julieta and Parallel Mothers he seems to have settled into an easy going Mediterranean soap style. Parallel Mothers is fairly entertaining and has all the looks of a 21st century Almodovar movie, but it is nothing to get excited about. A pleasant enough way to pass a couple of hours.
0 out of 0 members found this review helpful.
Brilliant Drama
- Parallel Mothers review by GI
Another fantastic drama from director Pedro Almodóvar and emotional tour de force that hints at comedy but delivers tragedy and ultimately happiness. With his trademark flamboyant colours and a moving performance from Penélope Cruz this is a wonderful film. She plays Janis, a professional photographer who after a brief relationship with married man Arturo (Israel Elejalde) falls pregnant. In the maternity hospital she shares a room with teenager, Ana (Milena Smit) and they bond. Ana is scared and fearful of motherhood as her pregnancy is unwanted, and later she reveals the circumstances behind it, whereas the more mature Janis is looking forward to this new phase of her life. Events bring them closer together and drive the narrative. Intermixed in this story of the two women are thematic links to Spain's continued pain from the Civil War as Janis is determined to find her great grandfather's remains after he was murdered by Francoists, indeed Arturo is the expert who is searching for the mass grave where it is believed he is buried. Almodóvar delivers a plot full of conviction even though it feels a little contrived at times. It has such an emotional punch backed by fantastic performances that the whole film works perfectly. This is a little marvel of a film and a must see.
0 out of 0 members found this review helpful.
Real music at last
- Parallel Mothers review by SG
It was refreshing to have a composed film score with instruments played by human beings who are given credit by name at the end of the film.
0 out of 0 members found this review helpful.