Alice is a 30 year-old sailor, in love with Felix who waits for her ashore when she unexpectedly sets off as second mechanic on the Fidelio. an old freighter. On board, she discovers not only that she replaces a recently deceased mechanic, but also that the Captain is none other than her first great love, Gael. In her cabin Alice comes across the diary of the former mechanic, and by reading its content - accounts of technical problems, sexual conquests and lovelorn emotions - she finds, oddly, that they echo her own journey. As the ship calls at various ports, Alice deals with life aboard with an all-male crew, the notion of desire in such an environment and the swings of her romantic feelings, while trying to stay the course.
Pat (Cassie McFarlane), is an ordinary London girl with a caring family, a job she enjoys and her own flat. Seeking nothing more than to settle down to a life of married, middle-class conformity, her cosy world is jolted when she meets Del (Victor Romero), a charming and vaguely disconnected toolmaker who loses his job and causes them to challenge their assumptions and aspirations. 'Burning an Illusion', Menelik Shabazz's pioneering first feature, marked a coming of age for black British cinema. Exploring the issues of transformation and identity, this sensitive and entertaining love story traces the emotional and political growth of a young black couple in Thatcher's London.
From Director Amma Asante, starring David Oyelowo and Rosamund Pike and set against the breath-taking backdrops of the African savannah and period London, 'A United Kingdom' tells the inspiring real-life romance of Seretse Khama, King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments. 'A United Kingdom' celebrates one of the greatest love stories ever told.
Jacques Becker's dark, offbeat comedy about a failing marriage stars Daniel Gelin as Edouard, a poor pianist married to Caroline (Anne Vernon), a beautiful girl from a middle-class family. Caroline's uncle Claude (Jean Galland), a complete snob who looks down on Edouard like the rest of his family, invites the couple to a party at which he is expected to play for his supper in front of Claude's important friends. Add the fact that Claude's son Alain (Jacques Francois) is in love with Caroline and this evening is destined for disaster.
In one of Agnes Varda's more provocative films she presents us with the dilemma faced by husband and father Francois (Jean-Claude Crouot) who finds himself falling in love with an attractive postal worker. What follows is a detailed study of adult fidelity and happiness, which will ultimately end with major repercussions for all parties involved.
Teenage sisters Anne (Eleonore Klarwein) and Frederique (Odile Michel) couldn't be more different: introverted Anne, on the threshold of adolescence, is trying to understand the world around her, while outgoing, politically aware Frederique is beginning her first love affair.
His job is saving lives, but he needs to learn how to live one... Hollywood great Robert Mitchum is Dr. Lucas Marsh, a student doctor blinded by unrelenting ambition. Having married an affluent older woman (Olivia de Havilland) in order to pay his medical school bills, the doctor finds himself indifferent towards his wife and passionate only about his work. Marsh climbs his way to the top, systematically exploiting others to further his career. Will this medical man redeem himself, when the fate of his best friend lies in his hands? Based on the bestselling Morton Thompson novel, this 1955 adaptation was the debut for maverick director Stanley Kramer, who Stephen Spielberg described as an "incredibly talented visionary".
Charles Castle (Jack Palance) has it all. With fame, talent and devastating looks, he is the studios biggest star. But when disillusionment sets in and the actor wants to quit Tinseltown, he finds himself in battle with inexorable studio boss Stanley Shriner Hoff (Rod Steiger). Reluctant to lose his hottest property, he is about to show Charles Castle just how ruthless Hollywood can be, as in a series of explosive showdowns, a murderous cover-up is revealed and Charles finds himself trapped by the dark secrets of his own past.
This film is a unique and extraordinary response to the catastrophic events in New York City that shook the world on September 11, 2001. producer Alain Brigand invited 11 renowned international directors to look towards their own cultures, their own memories, their own stories and their own language, and create a film lasting eleven minutes, nine seconds and one frame - 11'09''O1 - around September 11 and its consequences. The thought-provoking results - made with complete freedom of expression and in a spirit of complete equality - cover a diverse range of sensibilities and viewpoints and testify to the resonance of the event throughout the world
Adapted from the best-selling novel of the same name, The Yacoubian Building in the city of Cairo embodies every aspect of Egypt's capital, from its architecture and history, to its complex labyrinth of stories exploring love and power, sex and politics. Crossing a spectrum of classes, characters, families and narratives, debut director Marwan Hamed's beautiful adaptation of Dr Alaa Al Aswany's novel, turns one of Cairo's oldest buildings into an intricate depiction of the city at broad-reaching levels of the social and emotional scale. Tackling everything from Islamic fundamentalism to homosexuality and corruption,
This film, from one of Egypt's foremost independent directors, is set in and around the events of January 2011 in Cairo's Tahrir Square which led to the overthrow of the Mubarak regime, and preparations for the film began in the final days of the uprising.
Three characters - an opposition activist played by Amr Waked, a TV journalist who so far has supported the status quo and a secret policeman - intersect before and during the events. Flashbacks lay bare the previous treatment of opponents of Mubarak, and the film ends with a prescient (as it turns out) ambiguity for the future of the people's struggle.
Career-soldier Wilhelm, his pacifist younger brother Friedhelm, and their friends Charlotte, Viktor and Greta say farewell in the summer of 1941 in Berlin, with the promise to meet again after the war. Wilhelm and his brother have been ordered to the eastern front, Charlotte will join them as a nurse in a field hospital there. In Berlin, Greta makes a name for herself as a singer, with the help of a high-ranking party official. Her Jewish boyfriend, Viktor is despatched to a concentration camp in the east. Little do they know how much the unfathomable experiences, deprivations and terrors of the war will change them. It is the experiences of friendship and betrayal, belief and disappointment, illusion and insight, guilt and responsibility that will change their lives forever.
James Mason is Johnny McQueen, the idealistic leader of an illegal organisation in Northern Ireland. Shot during an armed raid he is badly wounded. Stumbling through the back streets of Belfast his friends, enemies and the police begin to close in as he tries to find a place to hide...
Lucy (Phyllis Calvert), Charlotte (Dulcie Gray) and Vera (Anne Crawford) are three sisters who are pursued by three very different kinds of men asking for their hand in marriage. Geoffrey (James Mason) is an ambitious, carousing businessman who pursues Charlotte because he believes a demure, stay-at-home wife will make his career progress more rapidly and his extra-marital social activities more pleasant. William (Peter Murray-Hill) is a dependable, kindly man who recognises in Lucy a kindred spirit. Vera is a social butterfly with no interest in anyone but herself, so when Brian (Barry Livesey) offers to marry her, she accepts as a marriage of convenience and takes lovers when she desires. As time passes the three sisters suffer joy and heartache, but as the cruel, sadistic behaviour of Geoffrey threatens to send Charlotte insane, the sisters decide to unite together with momentous consequences...
One dark summers night, Francesca Cunningham (Ann Todd), a once world-famous concert pianist, escapes from her hospital room and tries to commit suicide by jumping off a bridge. Rescued by Dr. Larsen (Herbert Lorn), Francesca is taken back to the hospital in order to undergo psychological treatment. Desperate to know what events drove her to this state of mind, Dr Larsen hypnotises Francesca and uncovers a traumatic relationship with her domineering guardian, Nicholas (James Mason). Forced to endlessly practice the piano, Francesca's deep psychological traumas have become hidden behind The Seventh Veil...
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