Set in the French-African colony of Senegal in 1938, 'Coup de Torchon' is a gripping French Noir starring Philippe Noiret and Isabelle Huppert. Noiret is the unremarkable village policeman, Lucien Cordier, who is a source of amusement to all those around him, including his wife and his superiors at work. Happy to turn a blind eye when required, Cordier is unambitious and quiet-living - until one day he decides to take action. Becoming a Machiavellian avenging angel, he begins to execute his own brand of vigilante justice.
Frederique is a cool, rich predatory lesbian who picks up a young student, Why, taking her back to her elegant villa in St. Tropez. They lived happily together for some time, annoyed only by the lunatic pranks of the two resident camp buffoons. At the party, Why is attracted to a young architect who readily seduces her. Frederique is rather amused by her young campions budding romance; but she later visits Paul and allows him to seduce her as well. Slowly and initially reluctantly he enters their lives and an uncertain, unsettling menage-a-trois is formed.
Rosalie is a beautiful vivacious young woman involved with a charming, successful businessman called Cesar. He is crazy about her and his exuberant vitality satisfies Rosalie's terrific lust for life. One day out of the blue Rosalie's old flame David appears, desperate to win back her affections. Cesar's intense jealousy shocks Rosalie and she ends up running into the arms of David and the pair are separated. Rosalie however begins to doubt that she's made the right choice, until fate ends up deciding for her.
When her best friend and roommate abruptly moves out to get married, Susan (Melanie Mayron), trying to be an artist while making ends meet as a bar mitzvah photographer on Manhattan's Upper West Side, finds herself adrift in both life and love. A wonder of American independent cinema by Claudia Weill (who, when she was admitted to the Academy of Motion Picture Arts and Sciences as a director in 1981, was one of only four women ever to have received that honor), 'Girlfriends' is a remarkably authentic vision of female relationships that has become a touchstone for makers of an entire subgenre of films and television shows about young women trying to make it in the big city. This 1970's New York time capsule captures the complexities and contradictions of women's lives and relationships with wry humor and refreshing frankness.
Nerve-wracking suspense surrounds The Bedford Incident, the tale of a U.S naval vessel on a routine NATO patrol that ends up in a freakish showdown with a Russian submarine. Richard Widmark is Capt. Eric Finlander, the maniacal commander who drives his tense crew to the brink of nervous exhaustion. Sidney Poitier is Ben Munceford, photojournalist abroad The Bedford, assigned to record a "typical" mission. His moral indignation is put to the test by the captain's obsession with forcing the sub to the surface. Several crew members are at breaking point as Finlander continues his prowl.
Jean (Pio Marma'O left his family and his birthplace of Burgundy ten years ago to tour the world. Learning of his father's imminent death, he returns to his childhood home. There, he reunites with his sister Juliette (Ana Girardot), and his brother Jeremie (Francois Civil) when their father passes away just before the harvest begins. Over the course of a year, in sync with the rhythm of the seasons, the three young adults rediscover and reinvent their familial bonds, maturing and blossoming along with the wine they are making.
Sidney Poitier and Ruby Dee star as members of an African American family living in a cramped Chicago apartment in this deeply resonant tale of dreams deferred. The Youngers await a life-insurance check they hope will change their circumstances, but tensions arise over how to use the money. The film captures the high stakes, shifting currents, and varieties of experience within black life in midcentury America.
A novice teacher faces a class of rowdy, undisciplined working-class teenagers in this classic film that reflected some of the problems and fears that existed among young people in the 1960s. Sidney Poitier gives one of his finest performances as Mark Thackeray, an out-of-work engineer who turns to teaching in London's tough East End. The graduating class, led by Denham (Christian Roberts), Pamela (Judy Geeson) and Barbara (Lulu, who also sings the hit title song), sets out to destroy Thackeray as they did his predecessor, by breaking his spirit. But Thackeray, no stranger to hostility, meets the challenge by treating the students as young adults who will soon enter a work force where they must stand or fall on their own. When offered an engineering job, Thackeray must decide if he wants to stay.
Adele (Isabelle Adjani), daughter of French author and patriot Victor Hugo, is beautiful, composed and filled with the same brilliant writing talent as her famous father. However, Adele is driven not by literary aspirations but by love. Impelled by a need that will not be denied, she has run away from home to follow her handsome, womanizing lover (Bruce Robinson) across an ocean to wintry Halifax, Nova Scotia. Wild with desire, she'll risk everything to renew their brief affair. And if she can't win him back, there'll be a terrible price to pay.
7 Days in Havana captures all the vibrancy of the eclectic and unique Cuban capital city. Set over seven days and featuring films from seven renowned directors, this film will transport you to the bars, harbours and beaches of Havana, offering a tantalising behind-the-scenes insight into Cuban life.
In Elia Suleiman's first film for a decade, his alter-ego ES escapes from Palestine seeking an alternative homeland, only to find that Palestine is trailing behind him. The promise of a new life turns into a comedy of errors: however far he travels, from Paris to New York, something always reminds him of home. A comic saga exploring identity, nationality and belonging, in which Suleiman asks the fundamental question: where is the place we can truly call home?
Martin Eden (Luca Marinelli), Neapolitan and working class, has his fate is changed forever when he defends a young boy from a beating. The boy repays him for his kindness by inviting him into his bourgeois home, and it is there that Eden meets Elena (Jessica Cressy), the daughter of an upper-crust industrial family. He resolves to become an accomplished writer to elevate himself to the family's social standing and eventually marry her. He proves himself quickly as an autodidact, but grapples with social politics and ultimately with how to deal with success.
By a little bay near Marseilles lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days: Angela (Ariane Ascaride), an actress living in Paris, Joseph (Jean-Pierre Darroussin), who has just fallen in love with a girl half his age and Armand (Gérard Meylan), the only one who stayed behind in the bay to run the family's small restaurant. It's time for them to weigh up what they have inherited of their father's ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.
Dr. Merek Vance runs a clinic for the underprivileged in Pittsburgh. On a visit to Blairtown, where he grew up, he finds himself sharing a taxi with wealthy Emily Blair, a snobbish rich girl he never liked when they were children. But, she has since contracted meningitis and is deaf. Merek agrees to examine Emily, and embarks on a long course of treatment with little success. When Emily learns that Merek is developing a new serum, she insists on becoming his guinea pig. Reluctantly he agrees...
When discharged navy officer Johnny Morrison (Alan Ladd) comes home from war to his old stomping ground in the Hollywood Hills, he is shocked to discover his wife Helen (Doris Dowling) having an affair with the proprietor of the glamorous Blue Dahlia nightclub. But when Helen is murdered and Johnny is fingered as the prime suspect, he is forced to prove his innocence, aided by a woman harbouring a dark secret, the beautiful and enigmatic Joyce (Veronica Lake).
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