When a mysterious stranger arrives in a gated community on the outskirts of a large Polish city, he is welcomed by the wealthy residents who embrace his talents as a masseur. Though his hands provide healing, his eyes seem to penetrate their very souls, lifting a disquiet in each of their lives. Zhenia (Alec Utgoff) possesses a magical gift and to the residents his hypnotic techniques bring calm even though his background remains a mystery, leaving the residents to wonder what other secrets he holds. Bold, beautiful, and mesmeric, 'Never Gonna Snow Again' is the striking new film from Malgorzata Szumowska and her longtime collaborator Michal Englert. Featuring a hypnotic lead performance from Utgoff, this outstanding new film is both wondrous, compelling, and uplifting.
"The Disaster Artist" is based on the making of Tommy Wiseau's cult-classic disasterpiece 'The Room' ("The Greatest Bad Movie of All Time"). Director and star James Franco transforms the true story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau - an artist whose passion was as sincere as his methods were questionable - into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds.
Newly arrived in Ramsdale, New Hampshire, European emigre Humbert Humbert is smitten, so much so that he comes up with a master plan. He'll marry Charlotte Haze. That way he'll always be close to his dear one - Charlotte's precocious daughter! Filmmaker Stanley Kubrick explores the theme of sexual obsession (a subject he would revisit 37 years later in 'Eyes Wide Shut') with this darkly comic and deeply moving version of Vladimir Nabokov's novel.
'Petite Maman' is a sublime modern fairytale about the quiet wonder of mother-daughter relationships. After the death of her beloved grandmother (Margot Abascal), eight-year-old Nelly (Joséphine Sanz) meets a mysterious friend in the woods. Together they embark on a fantastical journey of discovery which helps Nelly come to terms with this newfound loss. Celine Sciamma's new masterwork examines childhood, memory and loss with a typically delicate touch, elegantly weaved together into an enchanting and moving depiction of love and acceptance.
Gerard Depardieu is the self-abasing curate tortured by questions about his role in God's plan — before an encounter with a material Satan touches off a powerful revelation. At the crux of his vision is Sandrine Bonnaire, the madly profligate sylph whose fate ruptures in a blast of gunpowder and the slash of a razor. As events unfurl, Maurice Pialat himself provides witness as the seasoned cleric who pronounces the words: "God wears us down"
After a botched abortion, Helen (Kitty Winn) has a chance encounter with small-time hustler and heroin addict, Boddy (Al Pacino), and the pair fall in love. But their bleak existence in and around Manhattan's 'Needle Park', with its overdoses, betrayals and police raids, pushes their relationship to the extreme.
When Helene (Maria Casares) discovers her love for Jean (Paul Bernard) has become unrequited, she carefully hatches her revenge by willingly inflaming a relationship between Jean and dancer Agnes (Elina Labourdette). However, Jean is unaware of certain aspects of Agnes' life which Helene hopes will ruin his reputation as their passions for each other grows.
Academy Award-winning director Andrea Arnold (American Honey, Fish Tank) returns with 'Cow', a compelling portrait of the life of a dairy cow called Luma that marks her first foray into feature-length documentary film-making. This intimate and observational work chronicles its subject's daily life, from grazing in green fields to giving birth, making milk and everything in between. A profoundly empathetic and unexpectedly moving contemplation of life and our relationship with animals, this is pure cinema shot through with Arnold's typically vivacious energy.
Set at the dawning of the new millennium, this hilarious masterpiece is from the brilliantly offbeat worldview of Swedish filmmaker Roy Andersson, director of the acclaimed 'You, the Living'. Described by critic J. Hoberman as 'slapstick Ingmar Bergman', this witty yet resonant film unfolds as a series of comic inter-connected vignettes that portray scenes from an urban world which has ground to a halt and whose citizens teeter on the brink of madness.
With 'The Music Room' (Jalsaghar), Satyajit Ray (Pather Panchali) brilliantly evokes the crumbling opulence of the world of a fallen aristocrat (the beloved actor Chhabi Biswas) desperately clinging to his way of life. His greatest joy is the music room in which he has hosted lavish concerts over the years - now a shadow of its former vivid self. An incandescent depiction of the clash between tradition and modernity, and a showcase for some of India's most popular musicians of the day, 'The Music Room' is a defining work by the great Bengali filmmaker.
One of the funniest and most original films of the year, this absurd and surreal comedy from acclaimed director Roy Andersson takes an amusing left-of-centre look at a delightfully eccentric assortment of characters. Through a series of brilliantly entertaining sketches, Andersson observes with empathy and wry humour the highs, lows and tragicomic happenings that affect their everyday lives. Shot with highly distinctive visual flair, this unique and universally resonant snapshot of modern life is both touching and laugh-out-loud hilarious.
Cited by Ray as one of his best films, this tale of a neglected housewife in Victorian-era Calcutta is adapted from a story by Rabindranath Tagore. Sailen Mukherjee stars as a newspaper journalist who is driven more by professional ambition than the needs of his cultured and intelligent wife Charaulata (Madhabi Mukherjee). Sensing her loneliness, he enlists the help of his cousin Amal (Soumitra Chatterjee), a sensitive would-be writer, to keep her company. Charu and Amal hit it off and, almost inevitably, their feelings for each other begin to deepen...
A satirical, subversive, surreal and irreverent story of rebellion, Vera Chytilova's classic film is arguably the most adventurous and anarchic Czech movie of the 1960's. Two young women, both named Marie, revolt against a degenerate and decayed society by attacking symbols of wealth and bourgeois culture in hilarious and mind-warpingly innovative ways. Defiant feminist statement? Nihilistic, avant-garde comedy? Refreshingly uncompromising, Daisies is a riotous, punk-rock poem of a film that remains a cinematic enigma and continues to provoke, stimulate and entertain audiences and influence filmmakers even today.
It's the summer of 1944, after the fall of Mussolini. As the Germans take control of Italy from the north and the Allies do the same from the south, ordinary Italians face a deadly conflict of loyalties. Paolo and Vittorio Taviani lived through this as teenagers, and they later turned their memories and those of countless compatriots into this extraordinarily rich and vivid evocation of the most terrifying time in their native Tuscany's history, where even the most respected authority figures can no longer be trusted and seemingly throwaway decisions can prove fatal. The Tavianis' creative masterstroke was to present all this through the eyes of a six-year-old girl, who despite the death and destruction around her is having the most exciting time of her life.
Across the course of history, only a relative handful of filmmakers can be said to have developed and refined a language of cinematographic expression which, inimitable, belongs to its creator alone. Pedro Costa, of our time, exists within this select group, and Colossal Youth is one of his sublime achievements.
An intimate epic wherein present and past move as one, Colossal Youth chronicles Ventura, the towering Cape Verdean who has assumed the role of surrogate "father" to an untold number of characters around Lisbon and its now-razed neighbourhood of Fontainhas. Through Ventura's ghost-like visitations to figures such as Vanda Duarte (the central personage of Costa's previous In Vanda's Room) and repeated recollections of his past life as a newly migrated manual labourer, Costa explores the nature, and necessity, of storytelling in the course of the human adventure.
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