The iconic Gerard Depardieu plays Mangin, a cop whose brutal method of investigation finds its obsessive outlet in an attempt to crack a Tunisian narcotics ring. It is when Mangin enters into close acquaintance with the defiant Noria (expertly played by Sophie Marceau in one of her first screen roles) that the film proceeds to chart an unexpected, emotionally ambiguous course.
Markus (Mads Mikkelsen) returns home to care for his daughter after his wife dies in a train accident. Suspecting foul play, he teams up with a mathematics expert and his eccentric colleagues, as they embark on a revenge mission to find those responsible.
Van Gogh, depicted by the remarkable actor/songwriter-singer Jacques Dutronc (Godard's Sauve qui peut (la vie)), has arrived at Auvers-sur-Oise to come under the care of Dr. Gachet (Gerard Sety) for his nervous agitation. Soon after the arrival of Vincent's brother Theo (Bernard Le Coq) and his wife, plein air portraiture and conviviality give way to the more crepuscular moods of brothels and cabarets, and the painter's anguished existence, tossing between money worries and an impassioned relationship with the doctor's teenage daughter, finally meets its terminal scene.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie (Honor Swinton Byrne) begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction. Joanna Hogg's shimmering story of first love and a young woman's formative years, 'The Souvenir: Part II' is a portrait of the artist that transcends the halting particulars of everyday life - a singular, alchemic mix of memoir and fantasy.
Two women, Janis (Penélope Cruz) and Ana (Milena Smit), meet in a hospital where they are about to give birth. Both are single and became pregnant by accident. Janis, middle-aged, has no regrets and is exultant. The other, Ana, an adolescent, is scared and repentant. Janis tries to encourage her as they move like sleepwalkers through the hospital corridors. The few words they exchange in these hours will create a very close link between them, which by chance will develop and complicate, changing their lives in a decisive way.
Mild-manner Charlie Driggs (Jeff Daniels) thinks he's a closet rebel - until he meets a real one. Sexy, free-spirited and totally reckless, Lulu (Melanie Griffith) hijacks Charlie for an outrageous spree filled with offbeat sex, petty larceny and hilarious mayhem. But when Lulu's psychotic ex-con husband Ray (Ray Liotta) puts the brakes on their joyride, Charlie suddenly realizes that his walk on the wild side may not only cost him his job and his girlfriend - it just might cost him his life.
Jennifer Jones plays Hazel Woods, a beautiful young English Gypsy girl who loves animals and in particular her pet fox. She is hotly desired by Jack Reddin (David Farrar) a fox-hunting squire who vies for her affection and pursues her even after her marriage to the local pastor.
After her mother leaves for Canada in the hope of starting a new life, film student and aspiring actress Haewon begins to sink into a deep depression. In the hope of finding solace, she re-ignites an affair with her ex-lover, a much older married professor. But within the kaleidoscopic inner world of her emotions, her dreams slowly begin to interweave with her reality and evolve into something that will change her life forever.
Gerard Depardieu plays Loulou, a layabout and petty criminal who meets middle-class Nelly (Isabelle Huppert) in a nightclub. Nelly is bored by her job in advertising and by the possessiveness and violent tempers of her boss and lover Andre (Guy Marchand). Much to the dismayed disbelief of Andre, Nelly decides to leave him and move in with Loulou.
This landmark film by the virtuosic Mikhail Kalatozov was heralded as a revelation in the post-Stalin Soviet Union and the international cinema community alike. It tells the story of Veronica (Tatiana Samoilova) and Boris (Alexei Batalov), a couple who are blissfully in love until World War II tears them apart. With Boris at the front, Veronica must try to ward off spiritual numbness and defend herself from the increasingly forceful advances of her beau's draft-dodging cousin.
Another literary adaptation - this time of a story by one of Japan's modern literary masters, novelist Tanizaki Jun'ichiro - Mizoguchi's Oyu-sama (Miss Oyu) is a poignant and contemplative tale of two sisters and their ill-fated relationship with the same man. At the core is Mizoguchi-regular Tanaka Kinuyo as the eponymous Oyu, the older sister who allows marital customs to dictate the lives of those caught up in this complex love triangle...
Episodic in structure, the film is a series of anarchic and frequently surreal series of events through which the director ravages a complacent European culture and the various sexual hang-ups and historical and cultural disconnects of its inhabitants. A man sells postcards of French tourist attractions, calling them "pornographic". A sniper in Montparnasse is hailed as a hero for killing passers-by. A missing child helps the police fill out the report on her. A group of monks play poker, using religious medallions as chips, and in the most infamous sequence, a formally dressed social group gathers at toilets around a table, occasionally excusing themselves to go into little stalls in a private room to eat. Best approached as a literal comedy of manners - the film is perversely funny and punctuated with a series of quite brilliant sight gags - 'The Phantom of Liberty' argues against the acceptance of strict moral codes, suggesting that the only way to live freely is to embrace the coincidences of the world.
Late on a cold night somewhere in the US, teenage Casey (Anna Cobb) sits alone in her attic bedroom, scrolling the internet under the glow-in-the-dark stars and black-light posters that blanket the ceiling. She has finally decided to take the World's Fair Challenge, an online role-playing horror game, and embrace the uncertainty it promises. After the initiation, she documents the changes that may or may not be happening to her, adding her experiences to the shuffle of online clips available for the world to see. As she begins to lose herself between dream and reality, a mysterious figure reaches out, claiming to see something special in her uploads.
Acclaimed filmmaker Joachim Trier returns with 'The Worst Person in the World', a wistful and subversive romantic drama about the quest for love and meaning. Set in contemporary Oslo, it features a star-making lead performance from Renate Reinsve as a young woman who, on the verge of turning thirty, navigates multiple love affairs, existential uncertainty and career dissatisfaction as she slowly starts deciding what she wants to do, who she wants to be, and ultimately who she wants to become. As much a formally playful character study as it is a poignant and perceptive observation of quarter-life angst, this life-affirming coming of age story...
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