In 1989, Wim Wenders was commissioned by the Centre Georges Pompidou to make a film about fashion and its place in contemporary society. Initially bemused by the offer, the award-winning director chose to focus on a designer whose work he was both familiar with and felt comfortable in, Yohji Yamamoto. Like 'Tokyo-Ga', 'Notebook on Cities and Clothes' gradually transforms from a meditation on our relationship with fashion to an exploration of visual representation, creating a dialogue between the language of fashion and that of film. Both are rapidly changing forms of communication, whose progressiveness is often breathtaking. As Yamamoto constantly searches for new modes of expression, Wim Wenders embraces video technology, which offers more flexibility when recording such a fast-paced world.
Paris, January 1942 - art dealer Robert Klein (Alain Delon) is making a killing. For this loyal Frenchman the Nazi occupation is a unique business opportunity. He stands to profit from the Jewish people's misfortune, as they sell their possessions in a hurry to leave the country. But when a Jewish newspaper turns up on Klein's doorstep, his comfortable life begins to unravel. It seems there is another Robert Klein, a suspected Jewish Resistance fighter, who is content to live in the shadows and let his namesake take the fall. As Klein's investigation of his double progresses, the mood shifts from Hitchcock to Kafka and proving his innocence becomes less important than confronting his doppelgänger...
Executive produced by Martin Scorsese, Paul Schrader's (writer of Taxi Driver and Raging Bull) The Card Counter is told with Schrader's trademark cinematic intensity. An ex-military interrogator turned gambler is haunted by the ghosts of his past decisions. Redemption is the long game in this revenge thriller featuring riveting performances from stars Oscar Isaac, Tiffany Haddish, and Tye Sheridan.
Set within a Gutsul community in the Ukranian Carpathian mountains, this visually stunning and richly detailed tale of a young man who yearns for a lost love is a beguiling mix of folklore, sorcery and religious symbolism, which brought Paradjanov to prominence and won numerous awards.
A psychopath known only as Buffalo Bill is kidnapping and murdering young women across the midwest. Believing it takes ones to know one, the FBI sends in Agent Clarice Starling (Jodie Foster) to interview an insane prisoner who may provide psychological insights and clues to the killer's actions. The prisoner is psychiatrist Dr. Hannibal Lecter (Anthony Hopkins). Brilliant yet psychotic, with a taste for cannibalism, Lecter will only help Starling in exchange for details and secrets about her own complicated life. This twisted relationship forces Starling not only to face her own demons, but leads her face-to-face with a demented killer, an incarnation of evil so overwhelming, she may not have the courage or strength to stop him. Horrific, disturbing, spellbinding. This thriller set the standard by which all others are measured.
Ashby's film follows the burgeoning relationship between the gloomy, 20-year-old, suicide-staging Harold (Bud Cort), suffocated by his wealthy homestead, and the sprightly octogenarian Maude (Ruth Gordon), whose bohemian wiles and open-arms approach to living enable Harold's first gentle steps towards embracing existence.
Directed by Peter Jackson, 'The Beatles: Get Back' is a three-part documentary series that takes audiences back in time to the band's intimate recording sessions. The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, and is compiled from 60 hours of unseen footage shot in January 1969 (under the supervision of Michael Lindsay-Hogg and his director of photography Tony Richmond), and more than 150 hours of unheard audio, all of which has been brilliantly restored. Also featured - for the first time in its entirety - is The Beatles' last live performance as a group - the unforgettable rooftop concert on London's Savile Row - as well as other songs and classic compositions featured on the band's final two albums, 'Abbey Road' and 'Let It Be'.
Part One
The band gathers at Twickenham Film Studios to rehearse for a concert.
Part Two
Rehearsals continue at Apple Studios and the mood lifts.
Part Three
The Beatles perform on the roof of the Apple Offices.
Made in Spain during General Franco's rule, Pere Portabella's extraordinary 'Vampir Cuadecuc' was filmed on the set of Jess Franco's shocker El Conde Dracula (Count Dracula) starring Christopher Lee, Herbert Lom and the exquisite Soledad Miranda. Filmed in stark, heavily grained black and white, this atmospheric and experimental 'making of' documentary transforms the myth of the vampire into a powerful metaphor for bloodthirsty fascism, with Dracuia as the dictator who feeds on his people. Dispensing almost entirely with dialogue, Portabella relies on an abstract, fabulously idiosyncratic soundscape created by renowned Catalan artist and musician Carles Santos for its unearthly effect. Banned after completion, Vampir Cuadecuc remains a provocative, subversive and surreal experience.
Young Finnish archaeology student Laura (Seidi Haarla) is convinced by her lecturer - and lover - to take a trip to an ancient site of petroglyphs near the Arctic Circle. However, when she boards the long-distance train to take her there, she finds that she has to share her carriage with the boorish and belligerent Ljoha (Yuriy Borisov), a foul-mouthed, misogynistic drunk travelling to his new job as a miner. Initially, they seem to have nothing in common, but, like the landscape they're travelling through, the more time Laura spends with Ljoha the more he thaws, revealing an unforeseen kindness beneath the macho facade. This chance meeting between the two occupants of compartment no.6 brings about an awakening within them, forming a bond they will never forget.
Ryusuke Hamaguchi's 'Drive My Car' is a masterful, moving and multi-award winning film based on a short story by Haruki Murakami. When the wife of Kafuku (Hidetoshi Nishijima), a stage actor and director, suddenly passes away, she leaves behind a secret. Two years later, Kafuku meets Misaki (Toko Miura), a reserved young woman assigned to be his chauffeur on a work trip to Hiroshima. As they spend time together, Kafuku confronts the mystery of his wife that quietly haunts him.
In this live-action adaptation of the beloved fairytale, old woodcarver Gepetto (Roberto Benigni), fashions a wooden puppet, Pinocchio (Federico Ielapi), who magically comes to life. Pinocchio longs for adventure and is easily led astray, encountering magical beasts, fantastical spectacles, while making friends and foes along his journey. However his dream is to become a real boy, which can only come true if he finally changes his ways.
This visually stunning and hugely imaginative film by Russian master Sergei Paradjanov is an extraordinary adaptation of an ancient folk tale about the construction of a Georgian fortress, which continually collapses under its own weight. The building seems doomed to failure until a fortune teller recalls a prophecy that can save it - a young man must sacrifice himself by being walled up alive within the structure. One of cinema's true visionaries, the acclaimed Paradjanov brings the legend to vivid and colourful life.
'The End of Summer', the penultimate film by Yasujiro Ozu, examines the difficulties faced by the Kohayagawa family as they struggle to adapt their traditional values to a rapidly changing post-war Japan. As the family's generations-old sake making business begins to fail in the face of increasingly fierce competition, Manbei, the incorrigible elderly patriarch, rekindles an affair with an old flame, much to the disapproval of his daughter Fumiko. He is further distracted by his attempts to marry off his two other daughters: Akiko, the eldest and a widow with a small son, and Noriko, the youngest who is still single.
Red Desert (Il Deserto Rosso) once more combines the considerable talents of director Michelangelo Antonioni and star Monica Vitti. Cast as Giuliana, an unhappy wife, Vitti suffers from an unnamed form of depression and malaise. Her quicksilver emotional shifts disturb everyone around her, but they, like she, pretend that nothing is truly wrong. British engineer Corrado Zeller (Richard Harris) seems to understand what Giuliana is really after in life, and he acts upon it by entering into an affair with the troubled woman. Giuliana eventually comes to terms with her physical and mental pain, but this hardly means that she's "cured" in the conventional sense.
Stephane and Maxime run a renowned violin making and repair business. One day Maxime introduces his partner to Camille, the beautiful violinist he has being seeing. Camille is attracted to the enigmatic, introverted Stephane who it seems may share her feelings but is incapable of expressing emotion. Convinced that she can find love beyond his cold exterior, her attraction turns to obsession and culminates in a shattering climax
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.