This 1971 comedy-drama stars Lynn Carlin and Buck Henry as middle-class New York suburbanites, whose teenage daughter runs away from home when she gets in trouble with her parents. In the process of trying to unravel the mystery of the girl's whereabouts, the couple rediscover their own lives. This funny, alternative coming-of-age tale features exclusive musical appearances from Tina and Ike Turner, Carly Simon and actress Kathy Bates (as 'Bobo' Bates).
Rio de Janeiro, 1950. Eurídice (Carol Duarte), 18, and Guida (Julia Stockler), 20, are two inseparable sisters. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. But they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other.
Joseph (Peter Mullan) is an unemployed widower, drinker, arid a man stifled by his own volatile temperament and furious anger. Hannah (Olivia Colman) is a Christian worker at a charity shop, a respectable woman who appears wholesome and happy. When the pair arc brought together, Hannah appears to be Joseph's potential saviour, someone who can temper his fury and offer him warmth, kindness and acceptance. As their story develops Hannah's own secrets are revealed — her relationship with husband James (Eddie Marsan) is violent and abusive — and as events spiral out of control. Joseph becomes her source of comfort.
From visionary director Robert Eggers comes 'The Northman', an action-filled epic that follows a young Viking prince on his quest to avenge his father's murder.
Nitram (Caleb Landry Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia) in suburban Australia in the mid 1990s. He lives a life of isolation and frustration at never being able to fit in. That is until he unexpectedly finds a close friend in a reclusive heiress, Helen (Essie Davis). However when that relationship meets its tragic end, and Nitram's loneliness and anger grow, he begins a slow descent that leads to disaster.
Ten years ago, yakuza mid-boss Ikegami (Shin'ichi Tsutsumi) led an assault against rival don Muto (Fumi Nikaidô). Now, on the eve of his revenge, all Muto wants to do is complete his masterpiece, a feature film with his daughter in the starring role, before his wife is released from prison. And The F#$* Bombers are standing by with the chance of a lifetime: to film a real, live yakuza battle to the death...on 35mm! Based on a screenplay he wrote nearly fifteen years ago, 'Why Don't You Play in Hell?' sees Sion Sono with his talent and unique vision completely unleashed. The result is a frenzied, gleeful masterpiece which he describes as "an action film about the love of 35mm". Endlessly irreverent and wildly, hilariously visceral, 'Why Don't You Play in Hell?' is a Tarantino-esque ode to the yakuza films of yore, featuring an over-the-top, blood-soaked finale for the ages.
The population of a provincial town on the Hungarian plains await the arrival of a circus that features the stuffed carcass of a whale and a mysterious Prince. Its appearance disturbs the order of the small town, unleashing a torrent of violence and beauty.
The audacious new film from writerdirector Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, 'Red Rocket' is a darkly funny and humane portrait of a uniquely American hustler and a hometown that barely tolerates him.
The Chase. The Desert. The Shack. The Girl. The Roadblock. The End. One man races against time, against destiny, against the road: the ultimate car chase movie. Kowalski (Barry Newman) is the last American hero. He's the lone stranger - a modern cowboy in a white Dodge Challenger who bets that he can drive from Denver to San Francisco in fifteen hours. Loaded with amphetamines and a full tank, he takes to the open highway. In his supercharged Challenger he breaks through every speed trap, dragnet and roadblock in four states to become an instant cult hero...
Adapted from a novel by Yasunari Kawabata, the first Japanese author to be awarded the Nobel Prize for Literature, 'Sound of the Mountain' typifies Naruse's preferred genre of shomin-geki (films about the daily lives of ordinary people). Set in the ancient seaside town of Kamakura, Kawabata's home, 'Sound of the Mountain' depicts the increasingly close relationship between a childless young woman, Kikuko (Setsuko Hara), and her father-in-law, Shingo (So Yamamura), to whom she turns as her own marriage, to the neglectful and philandering Shuichi (Ken Uehara), disintegrates. A domestic drama of rare existential insight and emotional subtlety, 'Sound of the Mountain' draws on the concerns of Naruse's earlier marriage films, including 'Repast' (even the pairing of stars Hara and Uehara is reprised), to offer a profoundly moving account of the complex relationship that develops between an older man and a younger woman.
The widowed Keiko (Hideko Takamine) manages a hostess bar in Tokyo's Ginza district. She remains faithful to the memory of her husband and supports her mother, brother and his son. The smiling mask she wears allows her to make a living, but the pressure to sell herself is unrelenting. Her business is failing and she must decide whether to raise the money to buy her own bar or marry one of her admiring affluent patrons. A superb, heart-rending film.
During the economic boom of the 1960s, Europe's highest building is being built in Italy's prosperous North. At the other end of the country, young cavers explore Europe's deepest cave in the untouched Calabrian hinterland. The bottom of the Bifurto Abyss, 700 metres below Earth, is reached for the first time. The intruders' venture goes unnoticed by the inhabitants of a small neighbouring village, but not by the old shepherd of the Pollino plateau whose solitary life begins to interweave with the group's journey. 'il Buco' chronicles a visit to the depths of life and nature and parallels two great voyages to the interior.
An epic fantasy adventure based on the timeless Arthurian legend, 'The Green Knight' tells the story of Sir Gawain (Dev Patel), King Arthur's reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves, and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger. From visionary filmmaker David Lowery comes a fresh and bold spin on a classic tale from the knights of the round table.
From renowned provocateur Paul Verhoeven, 'Benedetta' is a subversive erotic drama based on the true story of a 17th century nun entangled in a forbidden lesbian affair. Virginie Efira stars as the titular Benedetta, a nun whose religious fervor begins to manifest in increasingly sensual and violent visions of Jesus. These hallucinations arouse the suspicions of Charlotte Rampling's shrewd abbess, Sister Felicita, whose distrust grows when a farm girl called Bartolomea (Daphne Patakia) enters the convent seeking refuge, and quickly develops an attraction to Benedetta. Verhoeven's intoxicating latest is a transgressive and alluring look at faith, power and religion, and is every bit as scandalous as you would expect from the controversial filmmaker.
The life of a beautiful, young and pious woman (Grazyna Dlugolecka) is thrown into chaos when her parents takes in a dashingly handsome lodger. Having embarked on a torrid affair, the lodger goes off to Rome to seek a divorce from his estranged wife. Unable to live apart from her beloved, our hero leaves home only to fall prey to the infatuations and lusts of a band of noble admirers, unsavoury criminals and utopian do-gooders...
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