ryan-the-american's - Rented List

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A harrowing drama set during the Salvadoran Civil War, 'Salvador' is one of director Oliver Stone's most underrated films, a thrilling and violent look at the chaos of war as seen through the lens of an amoral photojournalist.

In 1980, young men, women and children are being brutally killed in a bloody civil war in El Salvador. A horrific setting, but a perfect one for Richard Boyle (James Woods), a sleazy journalist whose career needs a jumpstart. Armed with his camera, Boyle joins the front lines in an attempt to capture atrocious-but-valuable images of pain and horror. But with each picture he takes, he catches a tragic side of humanity that ignites his long-buried compassion. And he unexpectedly discovers something that will change him forever: his soul.

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A beautiful young woman performs a seductive striptease at the window of her fabulous Hollywood home. A struggling young actor watches, entranced from a house nearby, drawn into her obsession. Suddenly, he becomes a helpless witness to her savage murder.

Compelled to track down the psychopath responsible, his investigations lead him into the stark and perverted world of the body double.

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After the release of Jake Blues (John Belushi) from prison, he and brother Elwood (Dan Aykroyd) go to visit the orphanage where they were raised by nuns. They learn that the church stopped its support and will sell the place unless the tax on the property is paid within 11 days.

The brothers decide to raise money by putting their blues band back together and staging a big gig. They may be on a 'mission from God' but they're making enemies everywhere they go.

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Three ill-fated men - a small-time pimp Jack (John Lurie) an unemployed DJ Zack (Tom Waits) and a strong-willed Italian tourist (Roberto Benigni) - meet in the confined space of New Orleans prison cell.

Undeterred by Jack and Zack's evident disdain, Roberto shares with them his improbable plans of escape, thrusting them into an adventure through the Louisiana bayous.

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With a career spanning over thirty years, Louis Malle was one of the giants of French cinema.

After he burst onto the scene as one of the pioneers of the French New Wave with Lift To The Scaffold, Malle quickly achieved a reputation as a great director who was unafraid to embrace a wide array of subjects - many famously controversial. Working both in Hollywood and his native France, Malle imprinted his films with subtlety, intelligence and a sharp eye for the mores of human behaviour that set him apart from his contemporaries. This collection brings together classics from Malle's later career. Au Revoir Les Enfants, earning Malle a BAFTA for Best Director, and Lucien Lacombe are two very different tales about troubled youth set during the Second World War. Milou en Mai is a chamber comedy set against the backdrop of the 1968 Parisian uprisings and Le Souffle Au Coeur a taboo-breaking coming-of-age satire. Together with the dreamlike Black Moon, these films are proof that age did not dim Malle's humanism or commitment to experimentation.

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Nanni Moretti presents a semi-autobiographical account of his experiences in fatherhood, beginning when his wife Silvia's announces her pregnancy. Family, work and politics mingle in a charming light-hearted tale with a large helping of irony and humour.

Following the general election of 1994, won by the centre-right coalition led by Silvio Berlusconi, Moretti is encouraged by a journalist friend to make a documentary about the current political situation in Italy. Two years pass, another election is held, and he has still made no progress with his documentary. He starts another project, a musical about a Trotskyist pastry chef in the 1950's, but becomes disillusioned and increasingly distracted by the pregnancy. When his son Pietro is born and the centre-left coalition Ulivo wins the election, he continues to try to shoot his documentary, but with the film remaining unfinished he must learn to stop hesitating in order to complete his passion project.

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Middle-aged philosophy professor Marion Post (Gena Rowlands) would appear to have every advantage. After all, she has a rock-solid professional reputation, an equally secure marriage and enough spare cash to be able to rent a separate flat in which to write her latest book without interruption.

But she is interrupted, thanks to an accident of ventilation, by the therapy sessions going on in the psychiatrist's office next door. Voyeuristically fascinated, Marion is particularly struck by the way that the unhappy experiences of his patient Hope (Mia Farrow) mirror her own, and realises that her life is nowhere near as materially and emotionally secure as she's been pretending. And when she decides to rely less on her beloved logic and reason and open herself up to dreams, imagination and passion, the scene is set for a life-changing transformation.

During the filming of The Seven Year Itch, while Hollywood censors kept a careful eye on the notoriously racy production, Marilyn was pure perfection as a sexy, yet innocent, starlet living upstairs from a married man who had just sent his wife and son away for the summer.

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The first Iranian film to win the Palme d'Or, this austere, emotionally complex drama by the great Abbas Kiarostami follows the enigmatic Mr.

Badii (Homayoun Ershadi) as he drives around the hilly outskirts of Tehran looking for someone who will agree to bury him after he commits suicide, a taboo under Islam. Extended conversations with three passengers (a soldier, a seminarian, and a taxidermist) elicit different views on mortality and individual choice. Operating at once as a closely observed, realistic story and a fable populated by archetypal figures, Taste of Cherry challenges the viewer to consider what often goes unexamined in everyday life.

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When Viviane (Bulle Ogier), a chic diplomat's wife, meets an intriguing adventurer (Michael Gothard) and his hippy friends in the wilds of Papua New Guinea different worlds collide.

The group, led by enigmatic visionary Gaetan (Jean-Pierre Kalfon), convince Viviane to join their expedition in search of a mysterious uncharted Valley.

In Spike Lee's dramatic and explosive treatment, Denzel Washington stars as controversial black activist, Malcolm X. From an early life as a pimp and drug-pusher, he became the leading voice of America's black consciousness, feted by some as a visionary and despised by others as a dangerous radical.

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Alexander Mackendrick's last Ealing comedy and certainly one of the best, William Rose received an Oscar nomination for Best Original Screenplay. Sir Alec Guinness stars in one of his most vivid disguises, in this killingly funny black comedy gem.

The villains plot to kill the old lady who discovers their robbery. But the pensioner is not as harmless as she seems! A rare colour film from Ealing in the '50s, it was premiered in 1955 at the end of the Ealing Green period.

James Caan is Frank, a jewel thief and former convict looking to settle down with his girlfriend (Tuesday Weld) and begin a family. But when his 'fence' is thrown from a window and the Chicago mafia begin to flex their muscles, his hopes of a quiet life become anything but...

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The story of family grief and bereavement. Psychiatrist Giovanni (Nanni Moretti) lives happily with his family in a small Italian coastal town.

One Sunday he is due to spend time with his son Andrea (Giuseppe Sanfelice), when he receives an anguished call from Oscar (Silvio Orlando), one of his patients, and feels he must go and see him instead; however later that afternoon Andrea accidentally drowns in a diving accident. Over the following weeks, Giovanni, his wife Paola (Laura Morante), and daughter Irene (Jasmine Trinca), remain shell-shocked with grief; with Giovanni suspending his practice, and relations between himself and Paola becoming increasingly difficult. When a letter then arrives from a girl who Andrea had met the previous summer, who none of the family knew anything about, they all become curious to learn more about this person who meant so much to their departed son and brother.

An American heart surgeon's wife suddenly vanishes in Paris. To find her, he must navigate a puzzling web of language, locale, laissez-faire cops, triplicate-form bureaucrats and a defiant, mysterious waif who knows more than she tells.