Bogie's on the run and Bacall's at his side in Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry, a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen, his lone ally. In sharp support, Agnes Moorehead plays a venomous harpy finding pleasure in the unhappiness of others. The leads' chemistry is undeniable, augmented here with exceptional tenderness. Exceptional too are San Francisco locations and creative camerawork that shows Vincent's point of view - but not his face - until bandages are removed. Lest Irene get ideas, post-surgery Vincent tells her: "Don't change yours. I like it just as it is". So do we.
Following the accidental death of her daughter's lowlife boyfriend, respectable mother Lucia Harper instinctively hides the body to protect her family. Before long a stranger calls, sent by his partner to blackmail her. The comfort and security of Lucia's world appears to be in danger of collapsing.
After his release from the asylum, to celebrate his return to the real world, Neale (Ray Milland) visits a local carnival, only to accidentally receive the "prize" of a cake which was meant for a Nazi agent. When he discovers the error, he turns for help to a detective, whose investigations only serve to make the situation more complicated. Neale soon winds up on the run from both the Nazis and the police, who mistakenly believe him guilty of murder. He is led to Scotland Yard, where his fate entwines further with a Nazi front organization, and an unlikely love affair.
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers - all lavishly staged by veteran theater director John Murray Anderson. Presented here in the most complete form possible and restored to its original early-Technicolor glory, 'King of Jazz' offers a fascinating snapshot of the way mainstream American popular culture viewed itself at the dawn of the 1930's.
The Glass Key is based on the popular Dashiell Hammett novel. The Glass Key follows the story of Paul Madvig - a cone-corrupt politician who's decided to give up his past and join forces with Ralph Henry, a respectable candidate in an upcoming election. However, Madvig's crooked history is hard to forget when he finds himself at the centre of a murder plot. In this early collaboration between Donlevy, Alan Ladd and Veronica Lake, unforgettable performances and masterful directing by Stuart Heislen make this a truly classic film noir.
The war is over. Nobody won. Only the inhabitants of Australia and the men of the U.S. submarine Sawfish have escaped the nuclear destruction. Captain Dwight Towers (Gregory Peck) takes the Sawfish on a mission to see if an approaching radiation cloud has weakened, but returns with grim news: the cloud is lethal. With the days and hours dwindling, each person confronts the grim situation in his or her own way as the final chapter of human history is coming to a close...
"Why do you make me do it?" New York cop Jim Wilson (Robert Ryan) asks the hoodlum he's about to smash senseless. Jim has seen it all on the city's shadowy streets: killers, thugs, pimps, sadists. And the experience has cost him his soul. Ironically, his redemption may come in his next case, a brutal murder that brings him into the open sky and white light of the countryside...and into the arms of a beautiful blind woman.
Divorced and disillusioned, Roslyn Tabor (Marilyn Monroe) befriends a group of "misfits", including an ageing cowboy (Clark Gable), a heartbroken mechanic (Eli Wallach) and a worn-out rodeo rider (Montgomery Clift). Through their live-for-the-moment lifestyle, Roslyn experiences her first taste of freedom, exhilaration and passion. But when her innocent idealism clashes with their hard-edged practicality, Roslyn must risk losing their friendship... and the only true love she's ever known.
This sizzling screen version of Bizet's opera Carmen, updated for an all-black cast, stars Dorothy Dandridge, whose vibrant performance resulted in the first Oscar nomination for a black actress. She stars in the title role as a passionate sexy creature who lures handsome Gl Joe (Harry Belafonte) away from his sweetheart (Olga James) Following a brawl with his sergeant, Joe deserts his regiment with the sultry femme fatale. Carmen soon tires of him and takes up with a heavyweight prize-fighter (Joe Adams), triggering Joe's tragic revenge.
Ruined aristocrat John Barry more. Terminally ill clerk Lionel Barrymore. Ruthless tycoon Wallace Beery. Scheming stenographer Joan Crawford. And disillusioned ballerina Greta Garbo. Teaming them was a masterstroke whose success fostered more star-packed extravaganzas.
Based on the Broadway hit and set to an Academy-Award-winning adaptation score, 'On the Town' changed the landscape of movie musicals, opening filmmakers' eyes to what could be done on location.
Karen (Audrey Hepburn) and Martha (Shirley MacLaine) are the headmistresses of an exclusive school for girls. When they discipline a malicious little girl, the vindictive child twists an overhead comment into slander and accuses her teachers of questionable behavior. Soon the scandalous gossip engulfs the school's community, with repercussions that are swift, crushing...and tragic.
Shirley MacLaine is Irma, a popular Parisian prostitute who has just hired a new pimp, Nestor (Jack Lemmon), a former honest cop who was fired and framed by his boss after Nestor inadvertently had him arrested in a raid. However, Nestor's love for Irma is making his newfound vocation impossible, so he poses as a phoney British lord who insists on being Irma's one and only "client". But when "Lord X" (Jack Lemmon) appears to have become the victim of foul play...further comedic complications ensue!
During a brief stay in Chicago, innocent farmer's son Lem falls for and weds Kate, a hard-bitten but lonely waitress. Upon bringing her home at the start of harvest time, the honeymoon soon turns into a claustrophobic struggle as they contend with the bitter scorn of his father and the invasive, leering jealousy of the farm's labouring community.
Blake Edwards' screen adaptation of Truman Capote's novella stars Audrey Hepburn as Holly Golightly, an eccentric high-class escort working in New York. Rubbing shoulders with Hollywood agents and wealthy politicians at glamorous parties, Holly plans to marry into money and save up to help support her brother who is due to return from the army. However, when young writer Paul Varjak (George Peppard) - the kept man of a wealthy older woman - moves into Holly's apartment block, the pair soon find their worlds turned upside down.
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