When petty thief Olivier (played by a youthful Gerard Depardieu) breaks into an unassuming Parisian apartment, he inadvertently enters the world of leather-clad dominatrix Ariane (Bulle Ogier), who entertains clients in her black marble dungeon. Olivier's fascination with Ariane soon turns to love, forcing him to question his own assumptions about sex, perversion and power.
The final part of his highly acclaimed 'Living' trilogy, Roy Andersson's 'A Pigeon Sat on a Branch Reflecting on Existence' takes another sly, humorous and wholly original look at the absurdity of life. Two travelling salesman who trade novelty items traipse glumly from one joke shop to another failing to make a living, teacher-student relationships repeatedly become inappropriate at a flamenco dance lesson, and King Charles XII of Sweden drops by a bar with an 18th century army in tow, looking for a lover and a modern day peasant to punish. This is the skewed and unique world of Roy Andersson where disparate segments of humanity are exhibited and coalesce to form a poignant and darkly funny commentary on society and how we should ultimately embrace it.
One of the funniest and most original films of the year, this absurd and surreal comedy from acclaimed director Roy Andersson takes an amusing left-of-centre look at a delightfully eccentric assortment of characters. Through a series of brilliantly entertaining sketches, Andersson observes with empathy and wry humour the highs, lows and tragicomic happenings that affect their everyday lives. Shot with highly distinctive visual flair, this unique and universally resonant snapshot of modern life is both touching and laugh-out-loud hilarious.
When young understudy Betty (Cristina Marsillach) takes the lead role in a new operatic production of Verdi's Macbeth, she soon attracts the attention of a knife-wielding psycho who forces her to watch - with eyes pinned open - as he brutally despatches her friends and colleagues with sadistic delight. Can Betty free herself from this unending nightmare or does a more terrifying fate await?
A series of murders have been committed by ordinary people who claim to have had no control over their actions, many of them having killed friends, co-workers or even their spouse. There are only two links between each crime: an X carved into the neck of each victim, and a mysterious stranger who seems to have had brief contact with the perpetrator a short period of time before each killing. But to follow these leads and end a seemingly inexplicable wave of terror, police detective Kenichi Takabe (Koji Yakusho) will need to put his own sanity on the line and endure a descent into hell.
The debonair Duc de Richleau has been trusted with the care of his deceased friends son, Simon Aron. The Duc discovers that the young man has been seduced into joining a Satanic cult headed by the diabolical Mocata, who is intent on making Simon one of the Devil's disciples. Having rescued Simon from a bloody ritual, de Richleau is pursued by Mocata, who will stop at nothing to destroy the Due and his friends, even summoning the Angel of Death himself.
It's time for the Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare (Lynne Griffin) disappears, they contact the police, who don't express much concern. Meanwhile Jess (Olivia Hussey) is planning to get an abortion, but boyfriend Peter (Keir Dullea) is very much against it. The police finally become concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem?
From the inimitable Billy Wilder (Double Indemnify, The Lost Weekend) comes this classic comedy that mixes romance with hard-boiled wit in a story about stiff-necked Iowa congresswoman Phoebe Frost (Jean Arthur -Shane) mired in jaded postwar Berlin. As she investigates the morale of American troops, Phoebe is cynically wooed by fellow Iowan Captain John Pringle (John Lund), who is trying to cover up his affair with Nazi-tainted chanteuse Erika von Schlutow (Marlene Dietrich). Filled with sharp dialogue and satiric jabs, 'A Foreign Affair' is one of Wilder's most beloved comedies...
Nervous spinster Charlotte Vale (Bette Davis) is stunted from growing up under the heel of her puritanical Boston Brahmin mother (Gladys Cooper), and remains convinced of her own unworthiness until a kindly psychiatrist (Claude Rains) gives her the confidence to venture out into the world on a South American cruise. On board, she finds her footing with the help of an unhappily married man (Paul Henreid). Their thwarted love affair may help Charlotte break free of her mother's grip - but will she find fulfillment as well as independence?
Former tennis pro Tony Wendice (Ray Milland) hatches a cunning plot to get rid of his socialite wife, Margot (Grace Kelly), when he discovers that she has been having an affair with author Mark Halliday (Robert Cummings). Wendice blackmails a corrupt former schoolmate into murdering her, but the man bungles the job, and Margot, having killed her would-be assailant in self-defence, then finds herself under suspicion of premeditated murder...
Having just served a prison term for possession of heroin, poker dealer Frankie Machine (Frank Sinatra) vows to stay clean and find success as a jazz drummer. His wife (Eleanor Parker), left disabled by a car crash, is equally determined he should remain in the lucrative gambling business. Pressurised by his wife after being asked to deal in a high-stakes game, Frankie's fear of failure leads him straight back to the nearest fix...
Overworked true crime magazine editor George Stroud (Ray Milland) has been planning a vacation for months. However, when his boss, the tyrannical media tycoon Earl Janoth (Charles Laughton), insists he skips his hols, Stroud resigns in disgust before embarking on an impromptu drunken night out with his boss's mistress, Pauline York (Rita Johnson). When Janoth kills Pauline in a fit of rage, Stroud finds himself to have been the wrong man, in the wrong place, at the wrong time: his staff have been tasked with finding a suspect with an all too familiar description...Stroud's very own!
Paris, August 1944. With the allied army closing in, German commander and art fanatic Colonel Von Waldheim (Paul Scofield) steals a vast collection of rare French paintings and loads them onto a train bound for Berlin. But when a beloved French patriot is murdered while trying to sabotage Von Waldheim's scheme, Labiche (Burt Lancaster), a stalwart member of the Resistance, vows to stop the train at any cost. Calling upon his vast arsenal of skills, Labiche unleashes a torrent of devastation and destruction - loosened rails, shattered tracks and head-on collisions - in an impassioned, suspense-filled quest for justice, retribution and revenge.
"Giant" is a movie of huge scale and grandeur in which three generations of land-rich Texans love, swagger, connive and clash in a saga of family strife, racial bigotry and conflict between cattle barons and newly rich oil tycoons. It's also one of the most beloved works of director George Stevens, who won an Academy Award for this film, one of 10 Oscar nominations the film earned.
The Best Picture of 1945 has lost none of its bite or power in this uncompromising look at the devastating effects of alcoholism. Ironically, this brilliant Billy Wilder film was almost never released because of poor reaction by preview audiences unaccustomed to such stark realism from Hollywood, but the film has since gone on to be regarded as one of the all-time great dramas in movie history. Ray Milland's haunting portrayal of would-be writer's dissatisfaction with his life leads him on a self-destructive three-day binge.
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